Nana Patekar cremated at Pune farmhouse with Full State Honours; son Malhar Patekar performs last rites

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Veteran actor Nana Patekar was cremated at his Pune farmhouse on Thursday, October 8, following his sudden demise earlier that morning. The actor was accorded full state honours, as announced by Maharashtra Chief Minister Devendra Fadnavis, in recognition of his contribution to Indian cinema and his social welfare initiatives. Fadnavis, along with Maharashtra Deputy Chief Minister Eknath Shinde, was also seen paying his respects to the late actor at Pune airport.

Although Nana Patekar passed away in Goa, his mortal remains were brought to Pune in accordance with his wishes. According to reports, the actor had expressed his desire to be cremated at his Donje farmhouse in Pune. His son, Malhar Patekar, performed the last rites and lit the funeral pyre in the presence of family members, friends and colleagues from the film industry.

Several prominent personalities attended the funeral to pay their final respects to the veteran actor. Among those present were Jackie Shroff, producer Sajid Nadiadwala and filmmaker Anil Sharma, along with other members of the entertainment fraternity. The gathering reflected the impact Patekar had made through his work over a career spanning several decades.

The Maharashtra government's decision to accord him a state funeral recognised not only his cinematic legacy but also his contributions to society through the Naam Foundation, which he co-founded with actor Makarand Anaspure to support drought-affected farmers and rural communities.

Nana Patekar's demise: What happened?

Nana Patekar, a Padma Shri recipient known for his acclaimed performances across Hindi and Marathi cinema, passed away at the age of 75 in the early hours of Thursday, October 8, 2026.

According to reports, the actor suffered a severe cardiac arrest at his residence in Dona Paula, Goa. He was found unresponsive early in the morning and rushed to Manipal Hospital, where medical personnel reportedly attempted cardiopulmonary resuscitation (CPR) for approximately 45 minutes. However, he could not be revived and was declared dead at around 5:20 AM IST. His son, Malhar Patekar, subsequently confirmed the news.

Known for his intense screen presence and memorable performances, Patekar leaves behind a significant body of work spanning multiple genres and languages. His passing has prompted tributes from colleagues, admirers and members of the film fraternity, as the industry remembers an actor whose contributions extended beyond the screen.

Also Read: Ajay Devgn mourns the death of Nana Patekar with a heartfelt note: “His presence was powerful, his performances unforgettable”

Shraddha Kapoor, Shakti Kapoor lease Mumbai apartment for Rs 2.5 lakhs monthly rent: Report

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Actor Shakti Kapoor and his daughter, actor Shraddha Kapoor, have leased a residential apartment in Mumbai’s Mahalaxmi area to Akshat Khetan for a monthly rent of Rs 2.5 lakhs. The details are based on the registered leave and licence agreement accessed by CRE Matrix. The 1,050 sq ft apartment is located on the third floor of Piramal Mahalaxmi South Tower. The agreement was registered on June 26, 2026, with the 36-month lease commencing on July 1, 2026. It will remain valid until June 30, 2029.

According to the agreement, the monthly rent has been fixed at Rs 2.5 lakhs for the first year of the lease. The rent will increase by 5% annually, taking it to Rs 2.625 lakhs per month during the second year. For the final 12 months, the monthly rent will rise further to approximately Rs 2.756 lakhs.

Across the entire three-year lease period, the total rental payment is estimated at around Rs 94.58 lakhs. Khetan has also paid an interest-free refundable security deposit of Rs 7.5 lakhs.

The agreement includes a 12-month lock-in period, during which neither the landlord nor the tenant can terminate the lease without facing the consequences outlined in the contract. The leased apartment measures 1,050 sq ft and is situated in Piramal Mahalaxmi South Tower, located on G B Sakpal Marg and San Guruji Marg in Mahalaxmi East, Mumbai.

The latest transaction is notable as it comes a little over a year after Shraddha Kapoor and Shakti Kapoor jointly purchased another apartment in the same tower. Shraddha Kapoor and Shakti Kapoor’s earlier purchase In January 2025, the father-daughter duo jointly purchased a 1,042.73 sq ft apartment in Piramal Mahalaxmi South Tower for Rs 6.24 crores.

The earlier property transaction was registered on January 13, 2025. The latest lease agreement involving another apartment in the same residential development adds to the family’s property activity in the Mahalaxmi area.

The new three-year lease will remain in effect until June 2029, with the rent increasing by 5% in each subsequent year as specified in the agreement.

Also Read: Shraddha Kapoor cracks up fans with her hilarious response on Stree 2 fan theory: “Kyunki mein Shakti Kapoor ki beti hoon”

Nana Patekar passes away at 75 after severe cardiac arrest at Goa residence

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Veteran actor Nana Patekar has passed away at the age of 75 after suffering a severe cardiac arrest at his residence in Goa. He was declared dead at 5:20 AM on Thursday, October 8. Doctors attempted to revive the actor through continuous CPR for around 45 minutes, but he could not be saved.

Dr. Shekhar Salkar, Chief of the Oncology Department at Manipal Hospital, confirmed the news and said that a medico-legal case (MLC) has been registered. Further details regarding the circumstances of his death are expected following the post-mortem examination.

“Veteran actor Nana Patekar passed away at 5:20 AM today after suffering a severe cardiac arrest at his residence. Despite 45 minutes of continuous CPR, he could not be revived. A medico-legal case (MLC) has been registered, and a post-mortem will be conducted,” Dr. Shekhar Salkar said. Nana Patekar’s journey in cinema Nana Patekar began his film career with the 1978 film Gaman. While his early years in cinema were gradual, he went on to establish himself as one of the most distinctive actors in Hindi and Marathi cinema.

His performances in films such as Salaam Bombay! and Parinda brought him wider recognition. Salaam Bombay!, directed by Mira Nair, was nominated for the Academy Award for Best Foreign Language Film. In Parinda, Patekar played a gangster, a performance that earned him the National Film Award and Filmfare Award for Best Supporting Actor.

The making of Parinda was also physically demanding for the actor. He suffered serious burns while filming a real-fire sequence and spent months recovering in hospital. Earlier, he had also been stabbed during the shooting of Salaam Bombay!.

Patekar later moved behind the camera with Prahaar: The Final Attack, which he directed and starred in. For the 1991 film, he underwent training with the Territorial Army.

Patekar remained active on screen in the years leading up to his death. His most recent released film was Subedaar, the Amazon Prime Video action drama starring Anil Kapoor. The film premiered on March 5, 2026, with Patekar making a special appearance as Lance Naik Nana Waghmare.

Before that, he had a substantial theatrical role in Vishal Bhardwaj’s O’Romeo, which released on February 13, 2026. He played Ismail Khan, the chief of the Mumbai Intelligence Bureau, in the film starring Shahid Kapoor and Triptii Dimri.

Also Read: EXCLUSIVE: Nana Patekar’s The Confession Of Mary set for Toronto International Film Festival Premiere

Inside Karan Wahi’s FIRST Navi Mumbai International Airport visit featuring food, shopping and mini-golf adventure!

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Karan Wahi has finally given fans what they have been asking for, a glimpse into his life beyond the screen. Fresh off his third stint on Khatron Ke Khiladi, the actor recently took fans along on a new adventure, making his first-ever visit to Navi Mumbai International Airport (NMIA) and documenting the experience in a new vlog.

During his interaction with the paparazzi, Karan was jokingly asked why he was at the airport when he could be flying out in a helicopter, a cheeky reference to his recent Khatron Ke Khiladi stint. Karan quipped, “Move on Khatron, I have moved on,” before getting on with his different kind of adventure.

He took his fans through the entire airport experience, showing them what happens post celebrities get papped. From exploring the airport’s architecture and installations to discovering its food, retail and leisure offerings, Karan found enough reasons to keep him occupied before the flight.

Welcomed by the Pranaam team on arrival, Karan explored the airport, including the Experience Centre, where the striking art, scale and design caught his attention. He also checked out the range of restaurants and outlets, and mentioned that some of the options were hard to find elsewhere in the city.

But the highlight of the visit was when he headed to the airport lounge and discovered something rather unexpected — mini-golf, a first-of-its-kind offering at an Indian airport. After testing out his golfing skills and unwinding at the lounge, Karan made his way to the boarding gate.

 

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What began as Karan’s first visit to NMIA turned into a full-fledged experience of exploring, eating, and shopping, giving his fans a behind-the-scenes glimpse of the actor’s travel routine and delivering the vlog they had been waiting for.

Also Read: Orry gives a peek inside Avinash Mishra’s Khatron Ke Khiladi 15 victory party with Shagun Sharma, Karan Wahi and others!

Kriti Sanon recalls GIVA ad controversy on the Kareena Kapoor Khan show: “My choli had become like a six-person panel discussion on prime-time news”

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Kriti Sanon has revisited the controversy surrounding her GIVA jewellery advertisement, recalling how the campaign’s fashion choices became the subject of intense television debates. During her appearance on Season 6 of Kareena Kapoor Khan’s What Women Want, the actress reflected on the scrutiny female celebrities often face over their clothing and admitted that she was surprised by the scale of the discussion around her outfit.

The conversation touched upon moral policing and the disproportionate attention often directed towards women in the public eye. Recalling the aftermath of the GIVA campaign, Sanon said, “I couldn’t believe… when my choli had become like a six-person panel discussion on prime-time news.” Kareena immediately acknowledged her sentiment, responding, “I know.”

The controversy dates back to GIVA’s Raksha Bandhan campaign featuring Sanon. The actress was seen in a contemporary Indo-western ensemble comprising a white bralette-style choli, a sheer cape and an embroidered skirt. The campaign featured festive celebrations, including Sanon tying a rakhi on a pet dog, but the styling became a talking point on social media.

The advertisement faced criticism from sections of social media, with the outfit being questioned in the context of a festive family setting. The controversy subsequently found its way into television discussions, with the debate extending beyond the advertisement to questions around clothing, culture and representation.

Actor-politician Kangana Ranaut also reacted to the campaign at the time, criticising Sanon’s outfit and comparing the top to a “bikini”. Following the backlash, GIVA issued a public apology and withdrew the campaign from its television and digital platforms.

Sanon had responded to the criticism at the time, questioning the focus on women’s clothing and arguing that fashion and cultural identity should not be reduced to what a woman wears. She wrote, “Also, when will we stop telling women what to wear?? Ethnic fashion has evolved over the years, but still a woman's respect for her culture is measured with just her clothes!! Culture & Traditions are in her heart, not in her neckline!”

The actress’ latest comments on What Women Want bring the episode back into focus, particularly the extent to which a fashion choice can become a larger public debate when a celebrity is at the centre of it. Her recollection also underlines the scrutiny that female actors can face over their appearance, even when the conversation begins with a commercial campaign.

Also Read: Kriti Sanon says, “I also want to play a superwoman”; reveals she wants to explore female superhero roles

JioHotstar enters Middle East and North Africa through exclusive partnership with STARZPLAY

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JioHotstar has expanded its international presence with its entry into the Middle East and North Africa (MENA). The move follows its launch in the UK, Canada and Singapore, adding another key market with a large South Asian audience to the platform’s growing global footprint. Through an exclusive partnership with STARZPLAY, JioHotstar will be available as a dedicated streaming destination on the STARZPLAY app and website.

The partnership combines JioHotstar’s content library with STARZPLAY’s regional reach and understanding of audiences in the MENA market. Viewers will have access to new JioHotstar Originals alongside their India releases, with content available with audio tracks in up to 10 languages. The offering will also include television content from JioStar TV channels, films and reality franchises.

Among the content available to audiences will be the upcoming season of Koffee with Karan and the ongoing season of Bigg Boss across six languages. The library will feature content in Hindi, Malayalam, Tamil, Telugu, Bangla and other languages, along with a substantial Malayalam catalogue aimed at serving the region’s Malayali audience.

The JioHotstar offering will be available through STARZPLAY’s PLUS plan at AED 34.99 per month. The MAX plan, priced at AED 49.99 per month, will combine the complete JioHotstar entertainment offering with STARZPLAY’s sports portfolio, including major sporting events and cricket.

Commenting on JioHotstar’s expansion into the Middle East, Amit Malhotra, Head – International Business, JioStar, said, “The strong early response to JioHotstar across the UK, Canada and Singapore has reinforced our belief in the global opportunity for Indian entertainment. As we build JioHotstar into a truly global streaming platform, MENA is a crucial next market, with one of the world’s largest South Asian diaspora communities and a deep appetite for entertainment across languages. Our partnership with STARZPLAY allows us to enter the region with scale and bring audiences the breadth of JioHotstar, from new originals and daily television to blockbuster films and iconic reality franchises. This is an important step in taking Indian stories, talent and cultural moments to audiences around the world.”

Speaking about the partnership, Maaz Sheikh, CEO of STARZPLAY, said, “The next phase of streaming growth in MENA will be shaped by platforms that bring the right brands together and make the viewing experience more valuable. Audiences should not have to navigate an increasingly fragmented market to find the entertainment that matters to them. Bringing JioHotstar to STARZPLAY is a strategic investment in that future, combining the strength of India’s storytelling with our understanding of this region and the audiences we serve.”

“Cricket has given STARZPLAY a strong and lasting relationship with South Asian audiences across the region. JioHotstar allows us to extend that relationship beyond the match and into the entertainment households return to every day. Our ambition is to make STARZPLAY the destination where every member of the family finds something they value,” Maaz added.

To mark the MENA launch, the Burj Khalifa was illuminated as part of a launch celebration. JioHotstar’s Big Bang was projected onto the world’s tallest building in a display of colour and light, bringing together JioHotstar and STARZPLAY to mark the platform’s arrival in the region.

JioHotstar continues to explore features such as AI-powered personalisation, conversational discovery, interactive entertainment and in-app commerce. With its expansion into MENA, the platform now has an international presence spanning Europe, North America, Asia and the Middle East, with its approach tailored to the audiences in each market.

Also Read : Bigg Boss 20 teaser out: Salman Khan drops cryptic Karan Arjun hint ahead of September 6 premiere

EXCLUSIVE: Cinepolis India’s Ashish Misra predicts HISTORIC Rs. 15,000 cr India box office in 2026; says, “Ramayana can be the BIGGEST film Indian cinema has ever seen”

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By the end of July, international films had amassed Rs. 1,424 crores at the Indian box office, putting 2026 within striking distance of the all-time annual record of Rs. 1,595 crores set in 2019. Leading the charge was Spider-Man: Brand New Day, which emerged as the highest-grossing international film ever in India. The strong momentum continued through August, with international cinema commanding a 15% share of the Indian box office, up from 10% in 2025. The overall Indian box office, too, has been witnessing consistent growth. The cumulative gross box office of all films released in India stood at Rs. 11,833 crores in 2024 and rose to Rs. 13,395 crores in 2025. With 2026 delivering strong results across languages, genres and budgets, Ashish Misra, Head of Commercialisation, Cinepolis India, believes it would not be a surprise if the cumulative box office crosses the Rs. 15,000 crore mark for the first time.

In an exclusive conversation with Bollywood Hungama, Ashish Misra spoke about Hollywood’s impressive resurgence, expectations from Ramayana, the packed final quarter of 2026 and why the year could turn out to be a historic one for the Indian film industry.

How do you view Hollywood's performance so far this year? Not just biggies but even smaller films like Obsession worked big time… Hollywood has bounced back after facing a few barriers. The strikes in 2023 delayed the production and release of several films, and that had a trickle-down effect on box office performance as well. But this year, we have witnessed renewed interest, with films across multiple genres performing well.

Historically, horror has been a promising genre for Hollywood films in India. We have seen that with The Conjuring universe, the Evil Dead series, etc. Hence, Obsession performing well was not a surprise, especially because the film had incredibly positive word of mouth not just in India but globally. Today, in a connected world, when people start praising a movie, we see that sentiment translating into the Indian box office as well. That’s what happened with Obsession.

Meanwhile, Michael also did well. Project Hail Mary caught the imagination of Indian audiences because of its visuals and subject. And now, Spider-Man: Brand New Day has become the biggest Hollywood film ever in India. It is part of the Marvel Cinematic Universe, which tends to perform very well in the country. Its performance has further increased our expectations from Avengers: Doomsday.

Hence, December looks very promising from an exhibitor’s point of view. Besides Avengers: Doomsday, we also have Dune: Part Three and Jumanji: Open World. Overall, 2026 is shaping up to be a very strong year for the industry.

Besides Avengers: Doomsday, Dune: Part Three and Jumanji: Open World, Shah Rukh Khan’s King also releases around the same time. Will it be a challenge to divide shows among these four anticipated films? When it comes to programming, it’s ultimately about demand. The idea is to allot more shows to the films that audiences want to watch. To give you an example, Toxic and Hanuman Ansh were playing in cinemas at the same time. Toxic was expected to be a huge grosser, while Hanuman Ansh, despite having released three weeks earlier, was gradually gaining momentum around the same time. Our programming accordingly evolved based on what the audiences were demanding.

What are your hopes from Ramayana? All of us Indians have grown up being mesmerized by the story of the Ramayana. Its theme of good versus evil resonates with audiences across the country. Hence, our expectations from Ramayana are very high.

It is mounted on such a massive scale that we believe it has the potential to become the biggest film the Indian film industry has ever seen. And it’s not just about India. The film also has the ability to take Indian culture and heritage to audiences across the world.

Any final thoughts? 2026 looks set to be the best-ever year for the Indian film industry. It will probably be the first time that the box office in India crosses the Rs. 15,000 crores mark. What is particularly encouraging is that the contribution is not coming from just a handful of blockbusters; a lot of small and medium-budget films are also doing very well. That’s one trend that has given us a lot of confidence.

Also Read: Ranbir Kapoor as Lord Rama: Ramayana makers unveil BTS glimpse on actor’s birthday