Vijay Deverakonda - Rashmika Mandanna Wedding EXCLUSIVE: Banana leaf feast and coconut water to add traditional touch, reveals source

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As excitement builds around the upcoming wedding of Rashmika Mandanna and Vijay Deverakonda, new details about the ceremony’s traditional elements have surfaced. A source close to the couple has revealed that the celebrations will incorporate distinct South Indian customs, offering guests an authentic cultural experience.

“Guests at Rashmika vijay wedding are likely to experience a touch of South Indian tradition, with meals served on banana leaves and coconut water being specially arranged as part of the hospitality,” the source shared.

The detail suggests that despite their pan-India popularity and high-profile status, the couple intends to keep the ceremony rooted in regional traditions. Serving food on banana leaves is a customary practice in many South Indian weddings, symbolising prosperity and auspicious beginnings, while coconut water is often associated with purity and welcome.

The couple confirmed their wedding on February 22 via Instagram, announcing that the ceremony will be known as “The Wedding of VIROSH” — a name coined by fans who combined their names years ago. In a heartfelt note, they dedicated the celebration to their supporters, stating that the identity created by admirers had become an integral part of their journey together.

While the emotional announcement garnered significant attention online, preparations now appear to be in full swing. The duo is expected to tie the knot on February 26 in an intimate ceremony in Udaipur, attended by close family and friends. A grand reception is reportedly planned for March in Hyderabad, following an invitation that recently went viral on social media.

Over the years, Rashmika and Vijay have maintained a strong fan following both individually and as a pair, with speculation about their relationship frequently making headlines. By formally acknowledging “VIROSH” as part of their wedding identity, the actors have turned what would typically be a private milestone into a shared celebration with their audience.

With traditional hospitality details now emerging, anticipation continues to grow around what is being described as one of the most talked-about weddings of the year.

Also Read: Photos: Rashmika Mandanna and Vijay Deverakonda spotted at Udaipur airport

Shah Rukh Khan starrer In Which Annie Gives It Those Ones, Massey Sahib to Screen at Red Lorry retrospective

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The Red Lorry Film Festival, India’s premier destination for world cinema, will present a special retrospective honouring acclaimed filmmaker Pradip Krishen, spotlighting his rare and influential body of work.

Titled A Retrospective Celebrating Filmmaker Pradip Krishen, the showcase will revisit three of Krishen’s most distinctive films: In Which Annie Gives It Those Ones, Electric Moon, and Massey Sahib, offering audiences a chance to experience his sharp storytelling.

Pradip Krishen remains one of Indian cinema’s most original filmmakers. His campus cult classic In Which Annie Gives It Those Ones, written by Arundhati Roy captured the spirit of 1970s Delhi student life with wit and quiet rebellion. His debut feature Massey Sahib earned international acclaim and launched the career of Raghuvir Yadav, while Electric Moon stood out for its satirical take on post colonial India. Beyond cinema, Krishen stepped away from filmmaking to become one of India’s leading naturalists.

Ashish Saksena, COO Cinemas, BookMyShow and Festival Director, Red Lorry Film Festival, said, “Pradip Krishen’s films occupy a special place in Indian cinema for their originality, intelligence and cultural depth. Through this retrospective, we are proud to bring his landmark works back to the big screen for new and longtime audiences of the Red Lorry Film Festival.”

“This is a pinch-me-to-see-if-I’m-dreaming moment for me! Truly an honour to have all 3 of my films shown together at the Red Lorry Festival in Mumbai. Wonderful to be able to see them return to the big screen,” says filmmaker Pradip Krishen.

The Red Lorry Film Festival will be held from 13 to 15 March in Mumbai and will feature over 120 films from across the world. Festival passes are now available on BookMyShow.

Also Read: Subhash Ghai jokes at Karz screening at Red Lorry Film Festival: “Date during my film and you’ll end up married” – Neetu Kapoor agrees; takes a dig at Filmfare for snubbing Simi Garewal’s performance, says “It’s their LOSS”

SCOOP: Sunny Deol-Aamir Khan-Rajkumar Santoshi's Lahore 1947 likely to undergo title change

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Sunny Deol began 2026 with a bang with Border 2 and he’s expected to release multiple films this year, all of which look exciting. The most awaited of them is Lahore 1947. It reunites Sunny Deol and Rajkumar Santoshi and is produced by Aamir Khan. Aamir will also be seen in the film in a supporting role and it also stars Preity Zinta, Ali Fazal and Shabana Azmi. Due to the stellar team and Sunny’s booming track record, Lahore 1947 is a film that is expected to set the cash registers ringing. However, as per the buzz in the trade, the makers of the film are looking for a change of title.

A source told Bollywood Hungama, “Lahore 1947 is based on the famous play ‘Jis Lahore Nai Dekhya’. Since the film is set in the Pakistani city and during the Independence period, the title Lahore 1947 was initially deemed suitable. But now the makers feel that there can be a better title that is apt for the story of the film.”

The source continued, “Accordingly, they have come up with a few options. Another round of meeting will happen with the stakeholders and if all are on the same page, the name of the film will undergo a change.”

A few days ago, the makers of Lahore 1947 announced that their labour of love would be released on August 13, that is, in the beneficial Independence Day week.

The play, ‘Jis Lahore Nai Dekhya’, was written by Syed Asghar Wajahat in 1980. The Partition-era story revolves around a Muslim family which migrates from Lucknow to Lahore and is allotted a haveli vacated by a Hindu family. The old Hindu matriarch refuses to leave her ancestral home and she also strikes a rare bond with the Muslim immigrants.

Also Read: Aamir Khan productions’ Lahore 1947, starring Sunny Deol, locks Independence week release; deets inside

Farhan Akhtar-backed Boong wins at BAFTA 2026; beats Arco, Lilo & Stitch and Zootropolis 2

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India registered a significant achievement at the BAFTA 2026 awards as the Manipuri-language film Boong won the Best Children’s & Family Film honour. Backed by Farhan Akhtar, the film emerged victorious over international nominees including Arco, Lilo & Stitch and Zootropolis 2.

The win is being seen as a major moment for Indian cinema, particularly for stories emerging from the Northeast. It underscores the growing global visibility of regional narratives that centre on local realities while addressing universal themes. Farhan Akhtar attended the ceremony along with his wife, Shibani Dandekar.

Directed by Lakshmipriya Devi, Boong is set in Manipur against the backdrop of social and political unrest. The title translates to “little boy” in Manipuri. The film follows a young boy, Boong, played by Gugun Kipgen, who believes that reuniting his family will restore happiness to his mother, Mandakini, portrayed by Bala Hijam. Determined to find his missing father, Boong embarks on a journey with his best friend Raju, played by Angom Sanamatum.

 

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Their search takes them to the border town of Moreh and across into Myanmar, adding both emotional and geographical depth to the narrative. Through a child’s perspective, the film examines themes of loss, hope and resilience amid uncertainty.

Before its theatrical release in September 2025, Boong had already drawn international attention on the festival circuit. It premiered at the Toronto International Film Festival in 2024 and was later screened at the Indian Film Festival of Melbourne, the MAMI Mumbai Film Festival and the Warsaw International Film Festival, where it received positive critical response.

Also Read: Aamir Khan refutes reports of playing mediator in Farhan Akhtar-Ranveer Singh dispute

Tamil Nadu CM’s M.K. Stalin’s grandson backs Kamal–Rajinikanth’s big-screen comeback

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In KH x RK, Kamal Haasan and Rajinikanth will share screen space for the first time in forty-eight years. The film is being produced by 21-year-old Inban Udhayanidhi, grandson of Tamil Nadu Chief Minister M.K. Stalin and son of Deputy Chief Minister Udhayanidhi Stalin.

Kamal Haasan currently heads his own political party, while Rajinikanth is not affiliated with any political party.

Inban is the CEO of the film production company Red Giant Movies. It is rumoured that Kamal Haasan and Rajinikanth have been paid equal remuneration, reportedly close to Rs. 70 crore each.

Also Read: Kamal Haasan – Rajinikanth to share screen space after 47 years with Nelson Dilipkumar as director; announcement video inside

Western Railway earns RECORD Rs. 1.72 cr through film and ad shoots in 2025-26; spokesperson reveals, "Shoojit Sircar FIRST filmmaker to shoot aboard Vande Bharat; John Abraham’s Maria IPS and Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya shot on WR premises"

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The Vande Bharat Express has emerged as one of Indian Railways’ proudest achievements. Launched in February 2019, it remained unseen on celluloid until last year, when Shoojit Sircar became the first filmmaker to shoot aboard the semi-high-speed train. This and a lot more fascinating information were revealed to Bollywood Hungama by Vineet Abhishek, Chief Public Relations Officer, Western Railway (WR).

The ad in question is for Independence, an FMCG brand of Reliance Consumer Products Limited. It was released digitally in May last year, and a making video, featuring Shoojit Sircar, was released by Western Railway in January 2025.

Western Railway recently announced that it has generated a record Rs 1.72 crore from film and advertisement shoots conducted on its premises between April 1, 2025 and February 15, 2026. Its earlier highest earnings were recorded in 2022–23, when it collected approximately Rs 1.64 crore from film shoots.

Vineet Abhishek told Bollywood Hungama, “It is often assumed that government offices function in a typical way where one will be asked to go from one counter to another. However, that’s not the case with Western Railway. We have a single window clearance system for approving film shoot permissions. One can also apply through India Cine Hub, run by the National Film Development Corporation (NFDC). Western Railway is the only railway zone to be covered under ICH.”

Vande Bharat Steals the Spotlight! For the first time, WR’s Vande Bharat train is being featured in an ad shoot at Mumbai Central. As Indian Railways transforms into a world-class network, its portrayal in media is evolving too. pic.twitter.com/O2pXZywS0s

— Western Railway (@WesternRly) January 10, 2025

Vineet Abhishek further revealed that shoots can be conducted not only in trains and railway stations but also in railway yards, carsheds, administrative offices, workshops and other railway premises. The spokesperson further revealed about the forthcoming films shot in WR property, “Recently, Ayushmann Khurrana and Sharvari shot for Rajshri Productions’ next (Yeh Prem Mol Liya) at Goregaon railway station. John Abraham shot at WR Headquarters in Churchgate, Lower Parel railway station and Mumbai Central railway station for Maria IPS.” Bollywood Hungama has learned that the permission to shoot for Maria IPS was applied for in November 2025.

Interestingly, the gripping railway sequence in the recently released film O'Romeo, featuring Shahid Kapoor, Nana Patekar and Triptii Dimri, was also shot on Western Railway property. Behind-the-scenes pictures were shared by Western Railway while announcing its record earnings from film shoots.

Some of the Western Railway locations where notable films have been shot:

1. Churchgate Administrative Office –

2. Mumbai Central Railway Station – Sikandar (2025), Bodyguard (2011), Once Upon A Time In Mumbaai (2010), Yeh Jawaani Hai Deewani (2013), Holiday – A Soldier Is Never Off Duty (2014), Jazbaa (2015)

3. Bandra Terminus – Goodbye (2022), OMG 2 (2023), Ghajini (2008), Joram (2023)

4. Goregaon Railway Station – All We Imagine As Light (2024), Ra.One (2011), Ek Villain (2014), Gully Boy (2019)

5. Jogeshwari Yard – Force (2011), Commando 3 (2019), Heropanti 2 (2022), Judwaa 2 (2017), Tera Yaar Hoon Main (2026; upcoming)

6. Kandivali Carshed – Ghayal Once Again (2016), Kaminey (2009)

7. Mahim Railway Station – Darlings (2022)

8. Lower Parel Workshop – Fateh (2025), Fiza (2000), Arjun Pandit (1999)

Also Read: Vicky Kaushal comments ‘Aabasaheb’ on Riteish Deshmukh starrer Raja Shivaji poster; revives Chhaava connection and wins hearts

Ranbir Kapoor leases five floors in Andheri for 20 years to revive RK Studios

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Bollywood star Ranbir Kapoor and his family are taking a major step toward reviving their cinematic legacy by leasing five floors in a commercial complex in Andheri East, Mumbai, for 20 years to establish a new iteration of the legendary RK Studios. The development, reported by multiple outlets, signals a significant return for a brand that once defined Hindi cinema.

The original RK Studios, founded by Ranbir’s grandfather, the late “Showman” Raj Kapoor — was located in Chembur but was sold in 2018 after a devastating fire and mounting maintenance challenges. This new lease is seen as a bold attempt to bring the prestige and infrastructure of the studio back to life in a modern setting. According to industry reports, the five-floor space at Kanakia Wall Street will be transformed into a cutting-edge production and creative hub. Plans include soundstages equipped for virtual production, editing and post-production suites, screening rooms, VFX facilities and dedicated offices for the Kapoor family’s creative and administrative teams. The project reportedly also plans for hospitality areas and archival storage to house extensive RK memorabilia and film history.

While financial terms of the lease have not been disclosed, sources suggest that operations could begin as early as mid-2026, contingent on final clearances and approvals. The facility is expected to host multiple film and advertising shoots simultaneously, making it a competitive entrant among Mumbai’s production spaces.

The revival comes amid broader speculation about Ranbir Kapoor’s creative ambitions, with insiders hinting that the new studio could serve as the base for his future directorial ventures. Industry observers see the move as not only a tribute to RK Studios’ storied past but also a strategic investment in the future of Indian cinema.

Also Read: Ranbir Kapoor’s ‘Dad’ moment with Raha steals attention as Alia Bhatt joins Neetu at a wedding