After Shilpa Rao; Himesh Reshammiya's mic abruptly cut off at Bollywood Music Project; fans go 'Awwww' as he kisses wife Sonia; Ayushmann Khurrana calls him 'Lord Himesh'

https://ift.tt/DBC76lc

The tenth edition of the Bollywood Music Project, organised by Eva Live, took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao was the second-last performer, while Himesh Reshammiya was the final artist to take the stage. Bollywood Hungama earlier reported how Shilpa Rao's performance was abruptly cut short, leaving the audience furious. Thankfully, Himesh's epic act made up for the disappointment to some extent and ensured that the evening ended on an entertaining note.

Himesh Reshammiya began on a rocking note with 'Tera Surroor' from his album Aap Kaa Surroor. He followed it up with 'Viraaniya' from Namastey London (2007), 'Tanhaiyan' from Aap Kaa Surroor – The Movie (2007), 'Naam Hai Tera' from Aap Kaa Surroor and the title song of Tere Naam (2003). The crowd enthusiastically sang along, making it evident that Himesh's songs continue to enjoy a massive following.

At this point, Himesh's wife, Sonia Kapoor, joined him on stage. She recited a poem, following which Himesh sang 'Main Jahaan Rahoon' from Namastey London. As he performed the romantic number, Himesh lovingly embraced Sonia and kissed her on the forehead. The adorable moment prompted several attendees to go “Awwww”!

Bollywood Music Project 2026: @ayushmannk makes a surprise entry; crowd goes crazy. Joins #HimeshReshammiya as they promote #YehPremMolLiya @bmp_live https://t.co/qwcKDeH7DZ

— Fenil Seta (@fenil_seta) October 25, 2026

Singer Pragati Nagpal then came on stage to sing the female portions of the songs that followed. Himesh continued his musical extravaganza with 'Yahi Hota Pyaar' from Namastey London, 'Aashiqui Mein Teri' from 36 China Town (2006), 'Afsaana Banaaya Aapne' from the upcoming Gunmaaster G9, the title track of Aashiq Banaya Aapne (2005), 'Kheech Meri Photo' from Sanam Teri Kasam (2016), 'Hookah Bar' from Khiladi 786 (2012), 'Soniye' from Aksar (2006), and 'Ek Haseena Thi' and 'Tandoori Nights' from Karzzzz (2008).

In between, he performed a foot-tapping medley comprising 'Jhalak Dikhla Ja' from Aksar, the title tracks of Sanam Teri Kasam and Humko Deewana Kar Gaye (2006), and 'Kitne Armaan' and 'Aye Meri Zohrajabeen' from Phir Hera Pheri (2006).

Ayushmann Khurrana joins Himesh Reshammiya on stage; calls him ‘Lord Himesh’

In one of the biggest surprises of the evening, Ayushmann Khurrana suddenly appeared on stage, much to the delight of the crowd. The actor joined Himesh Reshammiya to promote their upcoming film, Yeh Prem Mol Liya.

EMBED # 2

https://ift.tt/5HXYzS4

Ayushmann told the cheering audience, “I am just overwhelmed seeing you guys. It is so beautiful. Maine ek baar Himesh sir ka concert dekha tha Indore mein. Or maybe it was Raipur. This is when my debut film Vicky Donor (2012) had just been released. This is the second time I am at a Himesh Reshammiya concert. And you guys are singing along. It's absolutely crazy and madness here.” He then enthusiastically declared, “Lord Himesh is with us!”

Ayushmann also spoke highly of the music of their upcoming film, saying, “Yeh Prem Mol Liya is a Himesh Reshammiya musical. The tracks of the film are supremely hummable.”

The crowd, meanwhile, had another demand. Fans began insisting that Ayushmann sing his immensely popular song 'Pani Da Rang' from Vicky Donor. Himesh decided to have some fun and joked, “Maine aaj tak 'Pani Da' nahin gaaya. Main bhi gaa lu?” As expected, the crowd shouted, “Yes, yes!” However, Himesh ultimately let Ayushmann do the honours. Himesh, meanwhile, performed on the title song of Yeh Prem Mol Liya.

“Naak se gau ya khatarnaak se?”: Himesh Reshammiya leaves fans in splits

Himesh also entertained the audience with his trademark humour. During one of the performances, he proudly declared, “Lip-sync ya Auto-Tune nahin hai mere performance mein!” He then asked the crowd a hilarious question: “Naak se gau ya khatarnaak se?” The audience was left amused and confused, unsure which option to choose. Himesh, however, went ahead and sang in his much-loved nasal voice, much to the delight of his fans.

#HimeshReshammiya sings 'Aye Meri Zohrajabeen' from #PhirHeraPheri at Bollywood Music Project 2026; fans can't control their excitement @bmp_live https://t.co/XX2Dmsv61T

— Fenil Seta (@fenil_seta) October 25, 2026

At another point, he revealed that he had plenty of songs in his repertoire but was unable to perform all of them due to time constraints. He added, “Uske liye Capmania Tour mein aana padega!”

Himesh eventually returned to 'Jhalak Dikhla Ja', performing a longer version of the iconic track and sending the crowd into a frenzy.

Himesh Reshammiya takes cheeky digs at organizers

Towards the end of his performance, Himesh shot a selfie video with the massive crowd in the background for his social media handle.

He then made a remark that caught everyone's attention. Himesh said, “Main aap logon ke liye 24 ghante perform karna chahta hoon! Lekin hamare pyaare Bollywood Music Project waalon ne mujhe sirf thoda sa waqt diya hain!” The remark prompted loud boos from the audience. Himesh continued, “Kya karoon? If you guys want, main subah tak hilunga nahin!”

Even as his set was drawing to a close, Himesh seemed reluctant to leave the stage and wanted to entertain the audience with more songs. He then made another cheeky remark, saying, “I will perform until they don't switch off my mic.” Interestingly, that is precisely what happened. With the event having crossed its scheduled closing time of 10:00 pm, the organisers eventually switched off Himesh's microphone, bringing his performance to an end. Yet, Himesh continued speaking even after his microphone was switched off, hoping his voice would reach the fans. Sadly, his efforts were in vain.

#HimeshReshammiya keeps talking to fans at Bollywood Music Project 2026 even as his mic was cut off by the organizers https://t.co/9Iy7KQHoFv — Fenil Seta (@fenil_seta) October 25, 2026

His repeated remarks about being allotted limited time, particularly the reference to his microphone being switched off, were especially striking in light of what had happened with Shilpa Rao earlier in the evening. Whether or not the comments were intended as a dig at the organisers over that incident, they certainly added an unexpected layer of humour and drama to the proceedings.

Nevertheless, Himesh Reshammiya ensured that the Bollywood Music Project ended on a high. With his infectious energy, memorable songs, hilarious one-liners and generous doses of nostalgia, the singer gave attendees a performance to remember and, more importantly, their money's worth.

Also Read: Bollywood Music Project 2026: Roop Kumar Rathod ROCKS the show; Palash Sen sings Marathi OG version of ‘Chikni Chameli; Anu Malik reminds attendees, “DON’T forget that I composed ‘Sandese Aate Hain’”

Bollywood Music Project 2026: Roop Kumar Rathod ROCKS the show; Palash Sen sings Marathi OG version of ‘Chikni Chameli; Anu Malik reminds attendees, “DON’T forget that I composed ‘Sandese Aate Hain’”

https://ift.tt/bfgE7iV

The tenth edition of the Bollywood Music Project, organized by Eva Live, took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao was the second-last performer, while Himesh Reshammiya was the final artist to take the stage, and their performances were keenly awaited. However, the acts preceding them were equally entertaining and ensured that attendees had a memorable evening.

Bollywood Hungama reached the venue just as Roop Kumar Rathod and his wife, fellow singer Sonali Rathod, took the stage. They instantly set the mood with a beautiful rendition of 'Tere Liye' from Veer-Zaara (2004). The original song was sung by Roop Kumar Rathod and the legendary Lata Mangeshkar. Sonali stepped into Lata's gigantic shoes, and she managed to impress the audience with her rendition.

#RoopKumarRathod at his best...sings 'Maula Mere Maula' from Anwar at Bollywood Music Project 2026; joined by wife Sonali Rathod https://t.co/cIDGx8hZtE — Fenil Seta (@fenil_seta) October 25, 2026

Roop Kumar Rathod then crooned another crowd favourite, 'Maula Mere Maula' from Anwar (2007). Sonali followed it up with another Lata Mangeshkar classic, 'Yaara Seeli Seeli', from Lekin (1991). Roop Kumar Rathod concluded his set with the romantic classic ‘Tujh Mein Rab Dikhta Hai’ from Rab Ne Bana Di Jodi (2008) and the patriotic anthem 'Sandese Aate Hain' from Border (1997), which struck a chord with the audience.

Anu Malik entertains with hilarious shayaris, 90s chartbusters and patriotic fervour

The next performance on the main stage was that of Anu Malik and his team. The act began with Anu's youngest daughter, Ada Malik, dancing to some of her father's iconic compositions.

Shahid Mallya came next and sang the title song of Main Hoon Na (2004), followed by another popular track from the film, 'Tumse Milke'. Anmol Malik then took over and performed 'Talli' from Ugly Aur Pagli (2008), 'Jungle Hai Aadhi Raat' from Biwi No 1 (1999) and 'Main Naagin' from Bajatey Raho (2013).

Finally, Anu Malik made his grand entry and, as expected, brought his trademark energy, humour and spontaneity to the proceedings. Before beginning his performance, he entertained the crowd with a shayari: “Soch ko badlo, sitaare badal jaayenge. Apni nazar ko badlo, nazaare badal jaayenge!”

The entertaining Anu Malik sings 'Julie Julie' at Bollywood Music Project 2026; asks crowd to join him @The_AnuMalik @bmp_live https://t.co/nyxvvvDBf4

— Fenil Seta (@fenil_seta) October 25, 2026

Anu Malik announced that he would begin with a song that has found a new lease of life on Instagram Reels – 'In The Night No Control' from Khiladiyon Ka Khiladi (1996).

He followed it up with 'Julie Julie' from Jeete Hain Shaan Se (1987). Thereafter, he belted out one hit after another, including 'Jeene Ke Hai Chaar Din' from Mujhse Shaadi Karogi (2004), 'Humko Tumse Pyaar Hai' from Ishq (1997), the title track of No Entry (2005), 'Aaila Re Ladki Mast Mast Tu' from Jung (2000), and 'Tan Tana Tan Tan' and 'Oonchi Hai Building' from Judwaa (1997). He ended his set with 'Ek Garam Chai' from Har Dil Jo Pyar Karega (2000).

Veteran singer Amit Kumar then made an appearance and entertained the audience with two songs from Imtihaan (1994) – 'Dheere Dheere Chori Chori' and 'Is Tarah Aashiqui Ka'. He followed these with the evergreen 'Bade Achhe Lagte Hain' from Balika Badhu (1976) and 'Main Hoon Jhoom Jhoom Jhumroo' from Jhumroo (1961).

Bollywood Music Project 2026: Anu Malik tells crowd “DON’T forget that I composed ‘Sandese Aate Hai’”; then sings the Border song with Shahid Mallya, Amit Kumar, Anmol Malik @The_AnuMalik @bmp_live https://t.co/h6GzO4zGJn

— Fenil Seta (@fenil_seta) October 25, 2026

Anu Malik then called Ada Malik, Anmol Malik, Shahid Mallya and Amit Kumar together on stage. At this point, he referred to Roop Kumar Rathod's earlier rendition of 'Sandese Aate Hain' and reminded the audience that he was the composer of the iconic track.

He told the crowd, “Don't forget that I composed that song. I was asked by someone, 'Kya yeh gaana aapne banaya hai?'. I replied, 'Maine banaya hai'. That person suggested, 'Thoda gaa do'!”

He continued, “Yeh gaana maine apne Hindustan ke liye banaya hai. Yeh gaana maine apne Indian Armed Forces ke liye banaya hai, who protect us day and night. It's the song that came out of my heart. Main baar baar kehta hoon – naa aisa desh tha, na aisa desh hai aur na aisa desh hoga. East or West, India is the best!” This was followed by Anu and his team singing the patriotic anthem.

Palash Sen takes a dig at Bollywood; Hariharan mesmerizes with his evergreen classics

Palash Sen then took centre stage, accompanied by his son Kinshuk Sen, Shalmali Kholgade, Vaishali Samant and Abhay Jodhpurkar. Palash began with 'Aapki Duaa', originally associated with the late singer KK. A recreated version of the song is part of Euphoria's new album, Dhoomsday.

Bollywood Music Project 2026: Palash Sen sings in Marathi; joins Vaishali Samant in singing 'Kombdi Palali' from Jatra (2005); it was created as 'Chinki Chameli' in Agneepath (2012) @docpalash @vaishaliisamant @bmp_live https://t.co/tfes9TwKsC

— Fenil Seta (@fenil_seta) October 25, 2026

He also performed 'Tum Ho Meri Main Tumhara' and 'Kaise Bhulegi Mera Naam'. In between songs, Palash expressed his disappointment over how the Bollywood music industry never gave him a chance. However, he also claimed that he had no regrets about retaining ownership of his music. Speaking about his immensely popular song 'Maaeri', he said, “I am glad I never gave away the rights to my song 'Maaeri'. Koi apni maa ko bhi nahi bechta!” Palash saved this track for the end of his performance.

In between, Vaishali Samant joined him on stage and, in a pleasant surprise, Palash sang the male portions of the Marathi chartbuster 'Kombdi Palali' from Jatra (2005). The song was famously recreated as 'Chikni Chameli' in Agneepath (2012).

Hariharan and his son Akshay Hariharan then took the stage and performed songs like the title track of Roja (1992), 'Nahin Saamne' from Taal (1999), 'Baahon Ke Darmiyan' from Khamoshi (1996) and 'Chappa Chappa' from Maachis (1996).

Bollywood Music Project 2026: For the first time, heard the rock version of 'Chappa Chappa'; performed by the legendary Hariharan and his son Akshay Hariharan @SingerHariharan @bmp_live https://t.co/CcKcRSeCtl

— Fenil Seta (@fenil_seta) October 25, 2026

Interestingly, 'Chappa Chappa' was presented in a rock avatar, which took the attendees by surprise. Hariharan also sang 'Telephone Dhun Mein Hasne Wali' from Hindustani (1996) and the recently released 'Vande Mataram'.

Finally, he concluded his performance with arguably one of his most iconic songs, 'Tu Hi Re' from Roja (1992), bringing his set to a fitting end.

Also Read: SHOCKING: Shilpa Rao’s mic switched off TWICE at Bollywood Music Project; HEARTBROKEN singer says, “Woh nahin gaane de rahe” as angry fans boo organizers (FIRST-HAND account)

SHOCKING: Shilpa Rao’s mic switched off TWICE at Bollywood Music Project; HEARTBROKEN singer says, “Woh nahin gaane de rahe” as angry fans boo organizers (FIRST-HAND account)

https://ift.tt/1vRcZtD

The tenth edition of the Bollywood Music Project took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao’s performance began on a rocking note, but in a shocking turn of events, her microphone was switched off and her performance was abruptly cut short, seemingly because the event was running behind schedule. What followed left the singer visibly upset and the audience furious. Bollywood Hungama was present at the concert and brings you a detailed account of how the incident unfolded.

Bollywood Music Project featured two stages – the main stage and a smaller second stage, positioned to its left. The arrangement was simple: an artist or group would perform on the main stage, following which the performers on the second stage would take over. Once their act concluded, the next artist would appear on the main stage.

However, the event was running behind schedule. Shilpa Rao’s set was originally scheduled from 7:45 pm to 8:15 pm, but she arrived on stage only at around 8:30 pm. She began with a rocking performance of 'Tose Naina Lage' (Anwar; 2007), instantly setting the mood. However, towards the end of the song, her microphone suddenly stopped working. She gestured to the backstage team to provide her with a functioning microphone, and a crew member quickly rushed to her aid.

Singer #ShilpaRao sings 'Tose Naina Lage' from #Anwar as soon as she comes on stage during Bollywood Music Project...fans go crazy @bmp_live @shilparao11 https://t.co/OsBAKXp2Nt

— Fenil Seta (@fenil_seta) October 25, 2026

Shilpa Rao then told the cheering audience, “I don't need a mic. You guys are my voice!” Her remark sent the crowd into a frenzy. She also revealed that her mother was present at the venue and that it was her birthday. The audience immediately began singing 'Happy Birthday To You', making for a heartwarming moment.

Shilpa continued her performance with 'Tere Hawaale' (Laal Singh Chaddha; 2022), the title track of Kalank (2019), 'Khuda Jaane' (Bachna Ae Haseeno; 2008) and 'Woh Ajnabee' (The Train; 2007). The Rish also joined her on stage to perform 'Barbaad' from Saiyaara (2025).

Shilpa Rao then sang 'Chuttamalle' from Devara (2024). After finishing the song, she was preparing to perform her next track when, without warning, the lights on the main stage went off. Her microphone was also switched off. At exactly the same moment, the second stage came alive and Kutle Khan began his performance.

It took the audience a few seconds to comprehend what had just happened. Shilpa Rao’s performance had effectively been brought to an abrupt end. Although the main stage was plunged into darkness, one could see that the singer appeared visibly shocked, angry and distraught by the sudden turn of events.

#ShilpaRao's performance cut short by Bollywood Music Project team to give way for Kutle Khan's performance. Angry crowd chants 'Shilpa Shilpa'. @bmp_live @shilparao11 https://t.co/KMs6EiYEm9

— Fenil Seta (@fenil_seta) October 25, 2026

The audience, meanwhile, was furious. Fans began loudly chanting “Shilpa, Shilpa”, demanding that the singer be allowed to continue. Amid the commotion, Shilpa Rao’s microphone was switched back on. She stepped forward, and a spotlight was directed at her. Kutle Khan, meanwhile, continued performing on the adjacent stage.

Addressing him, Shilpa said, “Kutle ji, main ek line bol ke nikal jaungi, theek hai? Aap bahut accha gaa rahe ho. Aap bahut sahi gaa rahe ho.”

As the crowd continued chanting her name, Shilpa addressed her fans, saying, “I just wanted to say bye. I can’t leave without saying bye. Woh nahin gaane de rahe.” Her remark prompted loud boos from the audience.

After her performance was forcefully cut short at Bollywood Music Project, #ShilpaRao allowed to say bye to fans. But even her goodbye message is cut short while Kutle Khan probably was cued to keep singing. One could see @shilparao11 feeling distraught and helpless. @bmp_live https://t.co/hMnL34k1lI

— Fenil Seta (@fenil_seta) October 25, 2026

Shilpa continued, “But I’ll say one thing. You guys made 15-20 minutes of my performance amazing. After a long time, I have performed in Mumbai.” However, before she could complete her remarks, her microphone was switched off yet again, even as Kutle Khan’s performance continued on the second stage.

A visibly helpless Shilpa Rao could do little at this point. She made a heart sign with her hands, blew a flying kiss towards her fans and walked off the stage. The audience, however, refused to stop chanting “Shilpa, Shilpa”.

 

View this post on Instagram

  A post shared by Shilpa Rao (@shilparao)

Following the concert, Shilpa Rao took to Instagram to express her heartbreak over the incident. In an emotional statement, she wrote, “Mumbai, a little piece of my heart broke tonight. It hurts deeply to have something so beautiful taken away from us like this. But even when the music stopped, you did not. The way you kept calling my name, the love in your voices. I could feel it all. Our story tonight was left unfinished. I promise, I will come back I love you, Mumbai. Forever and ever.”

Also Read: Amit Trivedi recalls how Shilpa Rao introduced him to Anurag Kashyap: “I never saw myself as a music director”

Amitabh Bachchan shares health update after announcing social media break: “Yet more rest needed..adjusting..thinking and wondering..”

https://ift.tt/n9L5IaW

Amitabh Bachchan has shared another update about his health, stating that he needs more time to rest and recover. The veteran actor had recently announced a break from his usual social media updates after being advised to prioritise his recovery. On Friday, he took to his Tumblr blog to share a brief update, indicating that he continues to follow the medical advice.

In his latest post, Amitabh wrote, “Yet more rest needed .. adjusting .. thinking and wondering .. the human body and its uniqueness.”

Earlier, the actor had also addressed his absence from social media through a post on X. Explaining the reason behind his decision, he apologised to his followers and said that he had been advised to take a few days off. In Hindi, he wrote that he was unable to write anything at the moment because of the instructions to rest and recover.

While extending his wishes to everyone on the occasion of Dussehra, Amitabh reiterated that he had been given strict instructions to focus on his health and limit communication. He wrote, “First Dussehra greetings to all .. love happiness, fulfilment, prayers. Under very strict rest and recuperation .. so am not allowed to communicate .. do excuse .. my apologies." He further added, “But do take this as my respected response .. more hopefully later.”

On the professional front, Amitabh will reprise his role as Ashwatthama in the sequel to Kalki 2898 AD. Directed by Nag Ashwin, the film also stars Prabhas and Kamal Haasan. Deepika Padukone, who appeared in the first instalment, will not return for the sequel, as confirmed by the makers last year. The film's release date has not yet been announced. Amitabh has also returned as the host of Kaun Banega Crorepati from August onwards.

Also Read : Amitabh Bachchan takes a break from social media for a few days following medical advice

Kriti Sanon opens up on her next solo lead with Maddock Films: “I'm doing a film that is on my shoulders”

https://ift.tt/nDkbOV7

With more opportunities emerging for female-led films, conversations around gender parity, pay disparity and the commercial potential of women-centric stories continue to be a part of the entertainment industry. Actress Kriti Sanon recently shared her views on the changing landscape, highlighting the role of audiences in encouraging filmmakers to invest in stories led by women.

Kriti, who is reportedly set to headline a large-scale horror film backed by Maddock Films, also spoke about the difference in remuneration between male and female actors. While she acknowledged the growing number of substantial roles being written for women, she noted that pay parity remains an area that needs attention.

Talking about the rise of female-driven projects, the actress said, “With OTT and so many other platforms coming in, and also a lot of writers writing meaty parts for women, which is amazing, because now it's not just about male-driven films. There are many female-driven films that are also happening. Women are also opting for meaty parts. But of course, there is a lot of difference in the pay and the fee, which still needs to change. But it is all a mathematical calculation of what the return is going to be in theatres, what the platforms pay for certain films and certain actors.”

She added, “But I would actually like to say, I'm doing a film that is on my shoulders, a solo lead next. And I actually want the audiences to make it make as much money as it would if it had a male actor. Make it a blockbuster, and things will change. I feel it's not just about the industry. It's actually a calculated thing where how much you invest and how much you're getting is dependent on that. And actually, I feel the audiences need to make that difference also, you know, by watching a film regardless of the gender. So when that happens, and a film that's on a female's shoulders opens to big numbers, things will change.”

Through her remarks, Kriti emphasised that the success of female-led films at the box office could influence the industry's approach to casting, budgets and remuneration. She pointed out that the financial returns associated with a film play a role in determining how much producers invest in a project and how actors are paid.

The actress also called on audiences to support films based on their content rather than the gender of the lead actor. According to her, when a woman-led film achieves box-office numbers comparable to those of a male-led project, it could encourage the industry to explore more such ventures.

Kriti's next solo-led film is reportedly a large-scale horror project with Maddock Films. While further details about the project have not been confirmed in the information provided, her comments have brought attention to the commercial expectations surrounding female-led theatrical releases and the importance of audience participation in driving change.

Also Read : Kriti Sanon’s latest photo dump features dubbing studio glimpse, Pani Puri, Navratri celebration and more!

Madhur Bhandarkar announces Syama – The Missing Chapter on Dr. Syama Prasad Mukherjee

https://ift.tt/x6nWOAR

Filmmaker Madhur Bhandarkar is set to explore the life and legacy of Dr. Syama Prasad Mukherjee in his next project, following the completion of his upcoming film The Wives of Bollywood. The National Award-winning filmmaker and Padma Shri recipient will direct the film, which is backed by producer Aditya Kumar Halwasiya and jointly produced by Bhandarkar Entertainment and AKH Ventures.

Titled Syama – The Missing Chapter (working title), the film aims to bring the story of Dr. Syama Prasad Mukherjee to the big screen, revisiting his political journey, ideological beliefs and role in India's history.

A scholar and statesman, Dr. Mukherjee was a prominent political figure who advocated national unity. His journey included becoming the youngest Vice-Chancellor of the University of Calcutta and serving in independent India's first Cabinet under Prime Minister Jawaharlal Nehru.

The film will explore his ideological differences with the government, his decision to resign from the Cabinet and his role in founding the Bharatiya Jana Sangh in 1951. It will also revisit his 1953 campaign against the permit system in Jammu and Kashmir and the circumstances surrounding his death in detention.

Combining elements of historical drama and political thriller, Syama – The Missing Chapter seeks to examine the decisions and convictions that shaped Dr. Mukherjee's public life. The project also aims to revisit a chapter of India's political history and introduce his ideas and legacy to a new generation of viewers.

Speaking about the project, producer Aditya Kumar Halwasiya said, “Dr. Syama Prasad Mukherjee’s life is a powerful reminder that true leadership lies in courage, conviction and service to the nation. Through Syama, we aim to bring his remarkable journey to the screen and inspire a new generation to discover our history, embrace our heritage and understand the values that help shape our nation’s future,”

Director Madhur Bhandarkar also shared his thoughts on the project and said, “Exploring Dr. Syama Prasad Mukherjee’s life for the first time as a filmmaker is both a challenge and demanding. Through Syama, I hope to bring an important chapter of India’s history to the screen with honesty, sensitivity and a fresh perspective.”

The film is scheduled to go on floors next year, while further details about the cast and other aspects of the project remain under wraps.

Also Read : Madhur Bhandarkar praises Hanuman Ansh: “True conviction and powerful storytelling always triumph over massive budget films”

Shahid Kapoor and Kareena Kapoor Khan share warm hug at IIFA press conference in Mumbai; video goes viral

https://ift.tt/zlD0vX7

Shahid Kapoor and Kareena Kapoor Khan sparked nostalgia among fans after sharing a warm hug at the recent International Indian Film Academy (IIFA) press conference in Mumbai. The two actors, who were among Bollywood’s most widely discussed couples in the early 2000s, exchanged smiles and pleasantries at the event, with videos of their interaction subsequently circulating on social media.

The moment unfolded as Kareena stepped down from the stage, where she had been sharing the spotlight with Salman Khan and other attendees. Shahid, who was standing nearby, caught her attention, and the two greeted each other with a hug before briefly exchanging pleasantries. Their cordial interaction quickly caught the attention of fans, many of whom associated the reunion with their popular on-screen pairing in Jab We Met.

Both actors made distinct fashion choices for the press conference. Kareena arrived in an all-black ensemble featuring a top and a tailored skirt, while Shahid opted for an all-white silhouette.

 

View this post on Instagram

  A post shared by Bollywood Hungama🎥 (@realbollywoodhungama)

This is not the first time their friendly interactions at an IIFA event have generated interest online. In early 2025, the actors also exchanged greetings at an IIFA press event in Jaipur. Responding to the attention their interaction received at the time, Shahid had said that it was nice if people felt happy seeing them together, while adding that they often crossed paths in everyday life.

Shahid and Kareena’s relationship was widely followed during the early 2000s, when they also appeared together in films such as Fida (2004), 36 China Town (2006) and Chup Chup Ke (2006). Their most celebrated collaboration remains Imtiaz Ali’s Jab We Met (2007), in which they played Aditya and Geet. The film went on to become a popular romantic drama, and their on-screen chemistry continues to be remembered by audiences.

The actors later appeared in Milenge Milenge, which was released in 2010, and were also part of the ensemble cast of Udta Punjab (2016), although they did not share screen time in the latter film.

Both have since moved on in their personal lives. Shahid is married to Mira Rajput, while Kareena is married to Saif Ali Khan. Their latest interaction at the IIFA press conference offered a glimpse of their cordial equation at an industry event, bringing renewed attention to a pairing that remains familiar to Hindi film audiences.

The press conference was held ahead of the upcoming IIFA awards event in Abu Dhabi.

Also Read: Photos: Salman Khan, Shahid Kapoor, Varun Dhawan, Rashmika Mandanna, Kareena Kapoor Khan and others snapped at IIFA Digital Awards press conference