REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office.

Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX release for Spider-Man: Brand New Day in India, but the film will be available in premium large-format (PLF) screens for an epic big-screen experience”.

As expected, this development has dampened the excitement of fans to some extent. A source explained that this has happened because the superhero film is releasing just two weeks after Christopher Nolan’s period epic. The source told Bollywood Hungama, “The Odyssey is the first film to be shot entirely on IMAX’s 70mm film cameras. Hence, the film will obviously get preferential treatment in the IMAX format. Accordingly, all IMAX screens across the world, including in India, will exclusively play The Odyssey for three weeks.”

The source added, “After three weeks, depending on the response, IMAX theatres will take a call on whether to retain the shows of The Odyssey or reduce them. But if one goes by the performance of Nolan’s last film, Oppenheimer (2023), in IMAX, there’s a slim chance that IMAX screens would reduce the shows of The Odyssey. It’s common knowledge that watching a Nolan film in IMAX is a must. Hence, The Odyssey is expected to continue playing in IMAX for many weeks successfully. In such a scenario, Spider-Man: Brand New Day would obviously lose out on getting an IMAX release.”

Thankfully, it hasn’t affected the hype for the film much. The source added, “Fans have already started booking tickets for Spider-Man: Brand New Day in other formats like PXL, ScreenX, 4DX, Marco XE and other premium formats, which also enhance the moviegoing experience. They have also understood that Nolan’s films require IMAX screens for many weeks.”

Interestingly, Spider-Man: Brand New Day is not the only Marvel film to lose out on IMAX. Avengers: Doomsday, which is scheduled to release later in December, is also expected to skip an IMAX release in several markets, as it clashes with Dune: Part Three. In fact, Disney announced earlier this year that it will introduce a new PLF certification called ‘Infinity Vision’ to screen its multi-starrer superhero film.

Also Read: Spider-Man: Brand New Day opens advance bookings in India almost a month and a half before release


 Salman Khan in talks with Farhan Akhtar for two-part historical epic: Report

Salman Khan in talks with Farhan Akhtar for two-part historical epic: Report

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Salman Khan's upcoming slate continues to expand. After signing an action-comedy with filmmaker duo Raj Nidimoru and Krishna D.K., and while shooting for his untitled film with director Vamshi Paidipally and co-star Nayanthara, the superstar is now reportedly exploring another major project.

According to a report by Pinkvilla, Salman is currently in discussions with actor-filmmaker Farhan Akhtar for a large-scale historical action drama that could mark their first collaboration. A source close to the development told the publication, “Salman Khan and Farhan Akhtar have been meeting regularly over the last month and discussing a potential collaboration. Salman has loved what he has heard so far and has shown keen interest in the project.”

The source added that conversations are still in the early stages. “The talks are still at an early stage and have not yet reached the paperwork phase, but both sides are excited about the possibility of coming together for the first time.” If the project moves forward, it could become one of the most ambitious films of Salman Khan's career. The proposed venture is reportedly being designed as a grand period action drama based on one of the most celebrated figures in Indian history.

Sharing more details about the scale of the film, the insider revealed, “It is a massive period action drama mounted on a grand scale. The idea is to tell the story across 2 films.”

The project is expected to be produced under the banner of Excel Entertainment by Farhan Akhtar and Ritesh Sidhwani. If everything falls into place, production is likely to begin in the summer of 2027.

The development comes at a busy time for Salman Khan. The actor is currently filming an untitled project directed by Vamshi Paidipally, which features Nayanthara in a leading role. He is also expected to start work on Raj and DK's action-comedy entertainer around October 2026. The film reportedly revolves around a retiring superhero and promises a blend of action and humour.

Meanwhile, Salman’s much-discussed collaboration with director Apoorva Lakhia, titled Maatrubhumi: May War Rest In Peace, remains in limbo with no official update on its production timeline.

Also Read: Kala Hiran controversy deepens: Sonu Mishra talks about exiting the film based on Salman Khan blackbuck case; says ‘I didn’t want to be a part of such a film’


 REVEALED: Haunted – Echoes Of The Past got NCLT nod for June 12 release; makers directed to deposit all revenues in separate bank account

REVEALED: Haunted – Echoes Of The Past got NCLT nod for June 12 release; makers directed to deposit all revenues in separate bank account

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On June 10, the National Company Law Tribunal (NCLT), Mumbai Bench III, permitted the release of Vikram Bhatt's horror film Haunted – Echoes Of The Past on June 12, even as the project remains embroiled in an insolvency-related legal dispute. However, the Tribunal has imposed strict conditions to safeguard the interests of the ongoing Corporate Insolvency Resolution Process (CIRP).

The order was passed in connection with proceedings involving K Sera Sera & Vikram Bhatt Studiovirtual World Pvt. Ltd. and Hare Krishna Media Tech Pvt. Ltd. While hearing the matter, the NCLT noted that the Resolution Professional (RP) had sought to restrain the film's release and prevent the creation of third-party rights in the movie. The Tribunal also allowed the RP to implead four additional respondents in the matter and directed them to file their replies before the next hearing.

A Resolution Professional is an insolvency professional appointed by the NCLT to manage the affairs of a company undergoing the Corporate Insolvency Resolution Process under the Insolvency and Bankruptcy Code (IBC). The RP is responsible for protecting the company's assets, preserving value for creditors and ensuring transparency in financial transactions during the insolvency proceedings.

The Tribunal recalled that it had earlier declined to stay the release of the film. Instead, it had directed the respondents to disclose all revenue generated from the film to the RP, who would then place the details before the Committee of Creditors (CoC) for its consideration.

During the latest hearing, counsel representing some Respondents informed the Bench that they had acquired rights in the film through an agreement dated January 30, 2024, prior to the commencement of the insolvency proceedings. They further stated that the film was scheduled for release on June 12 and voluntarily undertook to deposit all revenue generated from the film – including theatrical collections, music rights and other exploitation rights – into a separate bank account.

Accepting this undertaking, the NCLT permitted the release of Haunted – Echoes Of The Past, subject to two key conditions. All revenue earned from the film must be deposited in a separate bank account, and weekly statements of revenue and expenditure must be shared with the Resolution Professional. The RP has also been granted liberty to approach the Tribunal if any extraordinary expenditure is detected. The matter has now been listed for further hearing on July 27, 2026.

Also Read: Vikram Bhatt says Haunted: Echoes of the Past 3D survived financial crisis, legal hurdles and delayed release; recalls 75 days in prison: “Ten days into the shoot, money ran out”


 Christopher Nolan to attend FIRST-EVER India premiere of The Odyssey in Mumbai

Christopher Nolan to attend FIRST-EVER India premiere of The Odyssey in Mumbai

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To celebrate the global theatrical debut of his new mythic action epic, The Odyssey, Academy Award®-winning filmmaker Christopher Nolan is set to arrive in Mumbai this July, accompanied by film stars Matt Damon, Tom Holland, and Academy Award®-winning producer Emma Thomas. The Odyssey will be the first Christopher Nolan film ever to premiere in India.

The filmmakers and Universal Pictures International have designated Mumbai as an official stop on The Odyssey's global premiere tour, placing Mumbai alongside London, Paris and New York. The Odyssey arrives in theaters worldwide July 17.

Shot across the world using brand new IMAX® film technology, The Odyssey is the first feature film shot entirely with IMAX® cameras. The India premiere will be held at PVR Icon IMAX®: Phoenix Palladium in Mumbai.

 

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The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Samantha Morton, Zendaya and Charlize Theron, and is produced by Emma Thomas and Christopher Nolan for their company, Syncopy.

Written for the screen and directed by Nolan, The Odyssey brings Homer’s foundational saga of Odysseus's decade-long voyage home after the fall of Troy to IMAX® screens worldwide. The film’s Mumbai premiere marks one of the most significant Hollywood visits ever staged in India.

Advance Tickets for The Odyssey in IMAX® are already on sale in cinemas across India.

Also Read: SHOCKING: Christopher Nolan’s The Odyssey IMAX tickets touch Rs. 3000 in Pune; Delhi’s Paras keeps it LOWEST at just Rs. 370


 Vedang Raina says Main Vaapas Aaunga “changed everything” for him; thanks Imtiaz Ali in heartfelt note

Vedang Raina says Main Vaapas Aaunga “changed everything” for him; thanks Imtiaz Ali in heartfelt note

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Actor Vedang Raina has shared an emotional note reflecting on his journey in the film industry and the impact of his latest release, Main Vaapas Aaunga. The actor took to social media to express gratitude towards director Imtiaz Ali, his co-stars, and audiences who have supported the film since its release. Alongside a series of behind-the-scenes photographs from the sets of Main Vaapas Aaunga, Vedang opened up about the moment he realized acting was what he wanted to pursue.

“I came home one day after an audition (I was 19) and told my parents that acting is what makes me feel the most alive. I didn’t expect to say that and I was as surprised as they were,” he wrote. The actor revealed that it has been nearly two-and-a-half years since he entered the entertainment industry and said his instincts about choosing acting as a profession proved to be right.

Reflecting on the significance of Main Vaapas Aaunga in his career, Vedang described the film as a turning point. “Maybe it’s too early to say but Main Vaapas Aaunga is a film that’s changed everything for me. What I’ve learned, how I’ve grown as an artist and more importantly as a human being is not something I can quantify with an Instagram caption,” he shared.

Vedang also thanked filmmaker Imtiaz Ali for trusting him with the role of Keenu and spoke about the opportunity to work alongside some of the industry's most respected artists. “@imtiazaliofficial thank you for taking me on this journey and letting me be your Keenu. Thanks for letting me collaborate with artists I’ve always looked up to and gotten to learn so much from @naseeruddin49 @diljitdosanjh @arrahman @irshadkamilofficial @sharvari,” he wrote.

Calling the film “special,” “relevant,” and “pure,” the actor expressed gratitude for being part of the project and for the response it has received from audiences. “I’m as passionate as ever and I’m driven to keep working and perfecting. I love what I do. I feel alive. Thank you for showering us with so much love. Thank you for your blessings,” he added.

 

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The post quickly drew reactions from fans and members of the film's cast. Co-star Sharvari left a warm comment that read, “Keenu forever 🤍✨ and sooooooo proud of you!”

Directed by Imtiaz Ali, Main Vaapas Aaunga features an ensemble cast including Diljit Dosanjh, Naseeruddin Shah, Sharvari, and Vedang Raina. The film arrived in cinemas alongside Vikram Bhatt’s Haunted: Echoes of the Past 3D and Kangana Ranaut’s Bharat Bhhagya Viddhaata. It also faced competition from the Hollywood release Obsession, which has continued its strong run at the box office.

Also Read:Sharvari drops glimpse of birthday celebration; features childhood photo cake and a sweet tribute to Main Vaapas Aaunga 


 Disha Patani rents out Khar West home at Rs 2.85 lakhs monthly rent: Report

Disha Patani rents out Khar West home at Rs 2.85 lakhs monthly rent: Report

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Actor Disha Patani has added another notable transaction to her real estate portfolio. The actor has leased out her luxury apartment in Mumbai's upscale Khar West locality at a starting monthly rent of Rs 2.85 lakhs. According to property registration documents accessed through Zapkey, the leave-and-license agreement was officially registered on June 1, 2026. The lease has been signed for a period of two years.

The apartment is located in Rustomjee Paramount, one of the premium residential developments in Khar West. The property measures over 1,000 square feet and is situated on one of the higher floors of the residential tower.

As per the registration documents, the apartment has been rented to Kamlaben Mangalbhai Gujjar. The tenant has paid a security deposit of Rs 8.55 lakh, which is equivalent to three months' rent.

The agreement also includes a rent escalation clause. While the monthly rent for the first year has been fixed at Rs 2.85 lakhs, it will increase by 5 percent after the completion of 12 months. This will take the monthly rental amount to approximately Rs 2.99 lakhs during the second year of the lease.

With the increase factored in, the apartment is expected to generate close to Rs 71 lakhs in rental income over the 24-month period.

On the professional front, Disha is currently awaiting the release of Welcome To The Jungle. Directed by Ahmed Khan, the comedy entertainer features a large ensemble cast and is scheduled to arrive in theatres on June 26.

Also Read: Ahmed Khan calls Akshay Kumar “absolutely dashing and handsome” and Disha Patani “his favourite” as ‘Ucha Lamba Kad Forever’ drops


 Love & War cast gears up for grand song shoot with 200 dancers at Royal Palms: Report

Love & War cast gears up for grand song shoot with 200 dancers at Royal Palms: Report

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Sanjay Leela Bhansali's ambitious period drama Love & War is set to resume filming on June 18 after a brief production break. The upcoming schedule will bring lead actors Ranbir Kapoor, Alia Bhatt and Vicky Kaushal back together for one of the film's biggest sequences to date.

The project has been in the spotlight in recent months due to speculation surrounding its shooting schedule and release plans. However, Bhansali recently clarified that the film remains largely on track, with around 90 per cent of the principal photography already completed.

According to a report by Mid-Day, the next phase of filming will focus on an elaborate song sequence mounted on a massive scale. The sequence is expected to feature nearly 200 dancers along with the lead cast. A production insider told the publication, “It's being designed as a spectacle. It was originally to kick off on June 8, but is now starting on the 18th at Royal Palms.”

The song will reportedly be filmed over several days on a specially designed set. Preparations for the sequence have been underway for weeks, with choreography, costumes and production design being finalised well before the cameras begin rolling.

The source further revealed, “The choreography, costumes, and production design have been in preparation for weeks. The scale is enormous, even by Bhansali standards. Every frame has been meticulously storyboarded, which is why the shoot was pushed by two weeks.”

The upcoming schedule follows a temporary pause due to the lead actors' commitments to other projects. Ranbir Kapoor recently shifted his attention to Ramayana: Part Two, as director Nitesh Tiwari moves ahead with the next phase of the mythological franchise. Meanwhile, Vicky Kaushal has been preparing for and filming Mahavatar, in which he will portray Lord Parashuram.

Earlier this year, reports suggested that the remaining portions of Love & War, particularly the climax, were facing scheduling challenges due to the stars' busy calendars. The latest schedule appears to mark the beginning of the film's final stretch.

Once filming is completed, the focus will shift to post-production, which is expected to be extensive given the film's scale and visual requirements. The makers have reportedly moved away from earlier release targets, including Christmas 2025, Eid 2026 and August 2026. The decision was taken to allow sufficient time for visual effects and post-production work.

Another factor influencing the release strategy is Ranbir Kapoor's Ramayana: Part One, which is expected to arrive in theatres in late 2026. To avoid a clash between two major Ranbir Kapoor releases, the team behind Love & War is now believed to be targeting a theatrical release in January 2027, possibly around the Republic Day holiday period.

Also Read: Alia Bhatt picks Love & War to premiere at Cannes Film Festival; describes her style as “dreamy, ethereal, princessy”