Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

Sara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”

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Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language.

The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said.

Her visit came soon after the film’s major box office achievement.

#WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed..." https://t.co/5vHVwh2JVT pic.twitter.com/V9qZYNhB3B — ANI (@ANI) April 11, 2026

In the film, Sara Arjun plays the character Yalina opposite Ranveer Singh, who appears as Hamza. While she worked in several projects as a child artist earlier, the Dhurandhar duology marked her first appearance as a leading actor in a major commercial film.

The success of the film has brought fresh attention to her performance and screen presence. Casting director Mukesh Chhabra on selecting Sara Arjun In an earlier conversation with Bollywood Hungama, casting director Mukesh Chhabra shared details about the casting process. He said the team wanted a fresh face for the role. He explained that he and director Aditya Dhar were clear from the beginning about their approach. They wanted someone who looked natural in the film’s world and carried no prior screen baggage.

Chhabra said the team conducted more than 1,200 auditions before finalising Sara Arjun. He added that there was some initial concern about her looking slightly young for the part. Another look test with different makeup helped address that doubt.

Her selection eventually became one of the notable casting decisions of the film.

Also Read: Sara Arjun thanks “unsung heroes” of Dhurandhar duology in a heartfelt note; Yami Gautam Dhar calls her the future


 Kapil Sharma, Neetu Kapoor, Sadia Khateeb’s Daadi Ki Shaadi to release on May 8; first poster out!

Kapil Sharma, Neetu Kapoor, Sadia Khateeb’s Daadi Ki Shaadi to release on May 8; first poster out!

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The makers of Daadi Ki Shaadi unveiled the film’s first poster on April 10 and announced its theatrical release date. The family entertainer will arrive in cinemas on May 8. The film stars Kapil Sharma, Neetu Kapoor, Riddhima Kapoor Sahni in her acting debut, and Sadia Khateeb. It is produced by Rtake Studios in association with BeingU Studios.

Key details about Daadi Ki Shaadi The project is written and directed by Ashish R Mohan. It is produced by Shraddha Agrawal and co-produced by Akshit Lahoria, Gurjot Singh, Ginni Kapil Sharma and Komal Shahani Mohan. The distribution will be handled worldwide by Panorama Studios. The poster also carries the logo of Netflix, which suggests the film may arrive on the platform after its theatrical run.

The makers have not shared the full story yet. The title hints at a late life wedding within a family. The idea itself brings a fresh angle. It also opens space for humour and emotional moments. Kapil Sharma’s presence points towards situational comedy. Neetu Kapoor appears to play the central role around whom the story revolves. The film seems to focus on how a family reacts to change across generations.

 

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What the Daadi Ki Shaadi poster shows The poster presents a bright and cheerful setting. A lush green background creates a light mood that matches the theme of a family celebration. Neetu Kapoor is placed at the centre of the frame. She appears joyful and confident. Kapil Sharma stands beside her with a warm expression. Sadia Khateeb is seen on the other side, adding a youthful energy to the composition.

The title is placed within a large fruit-bearing tree. This visual suggests ideas of family roots and growth. It also signals that relationships will remain at the heart of the story.

Riddhima Kapoor Sahni is visible on one side of the poster. Her presence marks her first appearance in a feature film. Another older male character stands opposite her. He is likely connected to the wedding storyline.

At the bottom, several supporting characters appear in a garden setting. Pink flowers and a fence frame the scene. The layout hints at a multi-generational family gathering and a festive atmosphere.

Also Read: Sadia Khateeb calls Daadi Ki Shaadi a ‘family vacation’; shares fun moments with Neetu Kapoor, Kapil Sharma and Riddhima Kapoor Sahni


 Shefali Shah teases something new with three-word post

Shefali Shah teases something new with three-word post

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Shefali Shah, known for her quietly powerful performances and discerning choice of roles, has long been a force in Indian cinema and OTT storytelling. From her breakout role in Satya to her widely acclaimed portrayal of DCP Vartika Chaturvedi in Delhi Crime, Shah has consistently leaned into narratives that are rooted, complex, and emotionally resonant. With films like Jalsa, Darlings, and Three of Us, she has further reinforced her position as one of the most dependable performers of her generation.

The actor has now stirred curiosity with a cryptic update on social media. In a recent Instagram post, Shefali Shah shared just three words — “new new new” — without any additional context. The brevity of the message has only amplified intrigue, with fans and industry watchers quickly reading between the lines and speculating about a potential new announcement.

 

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Given her recent body of work and growing global visibility, the post has sparked conversations around what could be next. Many believe it could hint at a fresh OTT project, especially considering the continued success of Delhi Crime, which brought international recognition to Indian streaming content. Others are guessing it might be a film collaboration or even a new creative direction, as Shefali has also been exploring writing and storytelling beyond acting.

What makes the speculation more compelling is her track record; she rarely takes on projects for the sake of visibility, instead choosing stories that stand out for their depth and intent. This has led audiences to associate her name with quality, making even the smallest hint of something new feel significant.

Also Read: Shefali Shah recalls first meeting with Ranveer Singh, calls him ‘Pure heart and Sheer madness’


 “Truth started getting labelled as propaganda”: Sandeep Reddy Vanga DEFENDS Dhurandhar duology; Aditya Dhar REACTS!

“Truth started getting labelled as propaganda”: Sandeep Reddy Vanga DEFENDS Dhurandhar duology; Aditya Dhar REACTS!

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Months after the release of Dhurandhar in December 2025 and its sequel, Dhurandhar The Revenge, on March 19, 2026, the Aditya Dhar-directed duology continues to remain part of industry conversations. The latest filmmaker to weigh in on the debate surrounding the films is Sandeep Reddy Vanga, who strongly reacted to those labelling the project as propaganda.

Vanga recently attended a screening of Dhurandhar: The Revenge at Allu Arjun’s theatre in Hyderabad, along with Prabhas, who is set to headline his upcoming directorial, Spirit. After watching the film, the filmmaker took to X to share his thoughts and defend the makers.

In his post, Vanga wrote, “Writers & actors built careers on propaganda, and the industry stayed quiet like cats. Now the same clan mock Dhurandhar. You don’t get to call yourself liberal if your first instinct is to Mock. Don’t know when truth started getting labeled as propaganda...... strange times.”

He further added, “I want to tell @AdityaDharFilms & @RanveerOfficial yeh kaala drishti aise nahi jaayega... Muthi bhar ke laal mirch se kaam nahi chalega.... poora khet jalana padega / Watched #Dhurandhar2TheRevenge last night.... Outstanding film.”

Responding to the message, director Aditya Dhar shared a note of appreciation for Vanga’s support and conviction. He wrote, “Mere Pyaare Sandeep, I genuinely love the way you stand your ground and give it back when it matters. There’s a real honesty and belief in that and it’s something I truly respect. I’ve always looked up to how you back your cinema without any doubt or noise.”

Mere Pyaare Sandeep, I genuinely love the way you stand your ground and give it back when it matters. There’s a real honesty and belief in that and it’s something I truly respect. I’ve always looked up to how you back your cinema without any doubt or noise. That kind of… — Aditya Dhar (@AdityaDharFilms) April 9, 2026

Since the release of the duology, the films have triggered wider conversations about the portrayal of espionage in mainstream Hindi cinema. Many viewers on social media contrasted Dhurandhar’s grounded treatment of intelligence operations with the stylised storytelling seen in the spy universe developed by Yash Raj Films.

A section of audiences praised the duology for focusing on the challenges and personal cost of being a spy rather than spectacle-driven narratives. With filmmakers and actors continuing to speak about the project in interviews and public posts, Dhurandhar and Dhurandhar The Revenge remain firmly in the spotlight well into April 2026.

Also Read: Sandeep Reddy Vanga calls Dhurandhar “man with a masculine spine”; Aditya Dhar says, “Grateful for voices like yours”


 Hansika Motwani files Rs 2 crores defamation suit against sister-in-law Muskan Nancy James amid legal battle

Hansika Motwani files Rs 2 crores defamation suit against sister-in-law Muskan Nancy James amid legal battle

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Hansika Motwani has initiated legal action against her estranged sister-in-law Muskan Nancy James by filing a defamation suit in a Mumbai sessions court, marking the latest development in an ongoing family dispute. The actor has sought damages amounting to Rs. 2 crores, along with a formal public apology and a court directive restraining James from making further statements against her.

The plea, filed through advocate Adnan Shaikh, alleges that Muskan Nancy James made defamatory accusations on social media, including claims of domestic violence involving Hansika and her brother Prashant Motwani. According to the petition, these allegations are baseless and have caused reputational harm.

Central to the dispute is an alleged financial transaction. Hansika Motwani has claimed that Muskan borrowed Rs. 27 lakhs during her marriage to Prashant Motwani and has failed to repay the amount despite repeated follow-ups. The suit contends that the allegations may have been made to avoid repayment of this loan.

The legal conflict follows an earlier FIR lodged by Muskan Nancy James against her husband and Hansika Motwani. In her complaint, James accused them of harassment, cruelty, and interference in her marriage, along with claims related to demands made during wedding functions. She also stated that the stress from the relationship contributed to her developing Bell’s Palsy.

Responding to these accusations, Hansika has denied any involvement, maintaining that she was not part of the couple’s household and had limited interaction with their personal matters. She has consistently asserted that she cannot be held accountable for the allegations made against her.

In addition to the civil suit, Hansika Motwani has also pursued criminal defamation proceedings against Muskan Nancy James before a magistrate’s court in Andheri under relevant provisions of the Bharatiya Nyaya Sanhita. She had earlier approached the Bombay High Court seeking to quash the FIR filed against her, with the court issuing notice on her plea.

A statement issued on her behalf emphasised that she had been wrongly implicated in the dispute and subjected to sustained defamatory coverage. It reiterated that her involvement in her brother’s marriage was minimal and that the allegations lack judicial backing.

The matter, which stems from the strained marriage between Prashant Motwani and Muskan Nancy James, is now expected to come up for hearing before the Dindoshi sessions court in due course.

Also Read: Hansika Motwani and Sohael Khaturiya granted divorce; no alimony sought, says lawyer


 BTS World Tour ‘Arirang’ to hit Indian theatres as PVR INOX announces exclusive screenings; deets inside

BTS World Tour ‘Arirang’ to hit Indian theatres as PVR INOX announces exclusive screenings; deets inside

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Continuing its commitment to bringing the world’s most iconic cultural moments to the big screen, PVR INOX Limited, India’s leading multiplex chain, announced the exclusive screening of the BTS World Tour ‘Arirang’. The cinematic event will feature live viewings and select re-broadcasts of the global icons' performances from Goyang on April 11 and Tokyo on April 18, 2026.

The release of ‘Arirang’ follows a series of highly successful and sold-out K-pop screenings at PVR INOX, including ‘Yet to Come in Cinemas,’ ‘Burn the Stage,’ and the 2025 HYBE Cine Fest. PVR INOX has consistently witnessed strong nationwide demand, often leading to additional shows and screens being added across cities. By securing the license for this tour, PVR INOX reinforces its position as the premier destination for experiential entertainment and youth culture in India.

The screenings will be hosted across an expansive network of 20+ cities including Delhi, Mumbai, Bengaluru, Kolkata, Gurugram, Pune, Ahmedabad, and Guwahati, catering to the immense demand from the Indian BTS ARMY.

Commenting on the announcement, Mr. Aamer Bijli, Lead Specialist – Innovation, Film Marketing, and Digital Programming, PVR INOX Limited, said, “At PVR INOX, we are constantly pushing the boundaries of what the cinema experience can be. BTS is more than just a musical act; they are a global phenomenon that resonates deeply with Gen Z and millennial audiences. By bringing the ‘Arirang’ tour to our screens, we are providing a communal space for fans to celebrate their idols with the best-in-class sound and visual technology that only a theatre can provide. We are also seeing a strong shift towards experiential cinema, where audiences are seeking immersive, shared experiences beyond traditional film viewing.”

PVR INOX has observed a significant shift in consumer behavior regarding concert films. Previous BTS screenings have seen nationwide sell-outs, leading to the addition of extra screens to accommodate the passionate fandom. There is also a notable rise in group bookings and fandom-driven participation, with audiences particularly Gen Z, urban professionals, and K-pop enthusiasts actively seeking communal viewing experiences. Screening Schedule & Locations:

April 11, 2026: Live from Goyang April 18, 2026: Live from Tokyo

Participating Cities: Delhi, Gurgaon, Faridabad, Chandigarh, Mohali, Dehradun, Bengaluru, Bhubaneswar, Lucknow, Ahmedabad, Vadodara, Surat, Mumbai, Pune, Nasik (Nashik), Ludhiana, Jalandhar, Ranchi, Indore, Kolkata, Jaipur, Udaipur, Raipur, Patna, and Guwahati.

Also Read: BTS announces new album release on March 20, confirms world tour plans; details inside!


 Dhurandhar The Revenge faces copyright suit over alleged unauthorised use of ‘Rang De Lal’

Dhurandhar The Revenge faces copyright suit over alleged unauthorised use of ‘Rang De Lal’

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Production banner Trimurti Films has filed a lawsuit against filmmaker Aditya Dhar’s company B62 Studios, alleging unauthorised use of the song ‘Rang De Lal’ in the film Dhurandhar The Revenge. The dispute relates to the rights to the track, which originally appeared in the 1989 film Tridev. The song was co-composed by Anand–Milind, written by Sameer Anjaan, and sung by Amit Kumar and Sapna Mukherjee.

What the lawsuit alleges According to sources familiar with the matter, Trimurti Films has claimed ownership or control over the relevant rights connected to the musical work and sound recording of ‘Rang De Lal’. The company has alleged that the song, or a version substantially similar to it, was used in the film without obtaining the necessary permissions.

The suit states that such use amounts to copyright infringement, including unauthorised reproduction and communication of the work to the public.

Trimurti Films has sought an injunction to restrain further use of the song, along with damages and related reliefs. The production house has also raised concerns about the commercial exploitation of the track through theatrical screenings, streaming platforms and promotional material linked to the film.

Dhurandhar The Revenge is a 2026 Hindi-language spy action thriller directed by Aditya Dhar. The film is produced by Jio Studios and B62 Studios and serves as the sequel to Dhurandhar (2025).

The sequel was released on March 19, and has remained in the spotlight due to its strong box office performance as well as multiple legal developments related to the film.

Also Read: Dhurandhar Row: Bombay High Court restrains plagiarism accuser; relief for director Aditya Dhar