Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”

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Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions.

Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.”

While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since you’re a public figure in glamour, it happens more to you,” she explained.

Highlighting the importance of consent, she drew a distinction between performance and exploitation. “At every stage, you have to ask—what did I consent to? For example, I did a song called ‘Bheegi Saadi’, where I’m dancing sensually in a wet saree. That was meant to be sensual. If someone finds it attractive, that’s fine. But sexualising someone without consent is completely different—and I’m not okay with that.”

Kapoor further pointed out how visuals are often altered without her knowledge. “There are angles and ways things are shot or edited—zoomed, slowed down—without my knowledge. That’s not my consent. Even on film sets, if a camera is placed somewhere I’m not comfortable with, I should be able to say no without being seen as unprofessional,” she said, adding, “Earlier, I was more polite and picked my battles. Now I make my point more clearly—though still politely.”

The actress also addressed how such portrayals affect her career trajectory. “I can’t afford to stop caring, because these perceptions affect audiences, filmmakers, and the opportunities I get. If people keep seeing you in compromising visuals, they form a perception about your character. It’s wrong, but it happens,” she noted.

She added that these perceptions influence casting decisions as well. “Filmmakers also think this way. If they feel you’re already overly visible in a certain way, they might hesitate to cast you. Audience perception directly impacts casting decisions. It’s sad that people judge your values based on your clothes—but that’s the reality.”

Kapoor revealed that she has recently taken steps to limit her public visibility. “In the past couple of months, I’ve gone to great lengths to avoid being photographed. I had three releases back-to-back last year—I felt like people had seen too much of me.”

Despite not actively seeking media attention, she said the volume of content around her remains high. “People say actors call the media—I don’t, except for promotions. But there’s already so much content of me out there that it doesn’t feel like I’ve disappeared at all.”

Concluding her thoughts, Kapoor admitted that the fear of misuse continues to affect her. “I didn’t like how I was being consumed—because of AI, edits, and everything. Even when I post something now, I overthink—will this be misused or edited? I wish I could say I don’t care—but I do.”

For now, she believes caution is necessary. “Right now, I’m not in a position of power where I can completely ignore it. So, I’ll play it safe for now, until I build enough credibility to fully be myself without consequences,” she said.

Also Read: Janhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”


 Janhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”

Janhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”

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Actor Janhvi Kapoor has candidly spoken about her first encounter with manipulated imagery resembling deepfakes, recalling a deeply unsettling experience from her school days. Appearing on the Raj Shamani Podcast, the actress shared how the incident left a lasting impression on her and shaped her views on digital ethics and consent.

Reflecting on the episode, Kapoor said, “I don’t know if it was technically a deepfake, but it was something like that. I saw a picture of myself on a porn site. We had IT class in school, and the boys used to go on those sites for fun—and my pictures were there. This was while I was still in school. That was a weird experience.”

The actor admitted that the incident forced her to confront the darker realities of being in the public eye at a young age. “At some point, I thought, ‘Why? Is this just the price you have to pay?’ Like there’s no morality in these things. With social media, everyone is just putting things out there. If anything, this new ‘woke’ sensitivity has slightly corrected behaviour in terms of ethics and morality—but largely, it’s still a problem. A lot of people think it’s normal—‘This happens, you’re a public figure, so it will happen’,” she said.

Kapoor also expressed concern over the growing circulation of AI-generated visuals that misrepresent her. “I’m not at peace with it. There are visuals of me out there—circulated even by official news pages—that are completely AI-generated. I’ve never worn those things, I’ve never been photographed like that. But it’s circulated as if it’s real, creating a certain impression,” she revealed.

Highlighting the professional implications, she added, “Tomorrow, if I’m doing a film and I tell a director I’m not comfortable wearing something, they could say, ‘But you’ve already done this—people have seen it.’”

Despite her discomfort, Kapoor acknowledged the limitations she feels in speaking out. “It makes you question what the moral guidelines even are. It upsets me, of course. But I feel like I don’t have enough voice or credibility to complain about it. People might say, ‘You’ve got so much in life, just tolerate this. Don’t complain.’ So I don’t think my voice carries enough weight yet to address it without backlash. But it’s not just me—others have spoken about it too,” she concluded.

Her remarks add to the ongoing conversation around AI misuse, digital consent, and the urgent need for stronger ethical boundaries in the age of rapidly evolving technology.

Also Read: Janhvi Kapoor partners with Amaha to reframe alcohol addiction as a mental health condition, not a moral failing: “The conversation around alcohol is either absent or deeply judgmental”


 Ranbir Kapoor opens up on playing both Lord Rama and Parashurama in Ramayana: “It was fantastic”

Ranbir Kapoor opens up on playing both Lord Rama and Parashurama in Ramayana: “It was fantastic”

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The anticipation surrounding Ramayana continues to grow, especially after the teaser featuring Ranbir Kapoor as Lord Ram was unveiled in the United States earlier this week. During the event, the actor interacted with the media and offered insights into one of the most intriguing aspects of the film—his dual role as both Lord Rama and Lord Parashurama in Nitesh Tiwari’s ambitious magnum opus.

While Ranbir Kapoor is primarily expected to portray Lord Rama, reports suggest that he will also be seen as Lord Parashurama in a brief yet significant appearance. The actor spoke about the mythological connection between the two characters, both of whom are considered incarnations of Lord Vishnu.

“Lord Vishnu had different avatars. Lord Rama was an avatar, and Lord Parshurama was an avatar before Lord Rama." Sharing his excitement about getting the opportunity to portray both roles, Ranbir highlighted how rare and creatively fulfilling the experience has been for him as an actor. “Just to get the opportunity, you know, how I got to play Lord Rama, to also play Lord Parshurama was fantastic. I think as an actor, apart from body language, I think if you deeply understand the spirituality and the emotionality of the characters, I think everything starts from there. I think that’s what I did the year leading up to the shoot of Ramayana, to understand who these people and characters are, what they stand for and what their motives are."

Ranbir Officially Confirms He is Playing Bhagwan Parshuram!#Ramayana pic.twitter.com/n2WxVroeP0 — RK🐰 (@rksbunny) April 3, 2026

Directed by Nitesh Tiwari, Ramayana is being mounted on a grand scale and is widely regarded as one of the most ambitious adaptations of the ancient Indian epic. The film aims to bring the timeless story of Lord Rama—his journey, ideals, and battle against evil—to a global audience with cutting-edge visuals and a large ensemble cast.

The inclusion of Parashurama, an earlier avatar of Vishnu known for his fierce temperament and warrior spirit, adds an additional mythological layer to the narrative. Though expected to appear briefly, the character holds symbolic importance within the larger context of the epic.

Ranbir Kapoor’s preparation for the role has reportedly involved extensive physical training as well as a deep dive into the philosophical and emotional underpinnings of the characters. His emphasis on understanding spirituality reflects the film’s attempt to go beyond spectacle and present a more nuanced portrayal of these revered figures.

As excitement builds around the project, Ramayana continues to remain one of the most closely watched films in development, with audiences eager to see how this iconic tale is reimagined for the big screen.

Also Read: Ramayana: Dipika Chikhlia reacts to Lord Rama’s teaser; says, “It’s very grand, very beautiful,” says OG Sita


 SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind.

A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.”

The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.”

Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akhtar-starrer 120 Bahadur along with Excel Entertainment.

As per the Mid-Day story, in Queen’s sequel, Kangana Ranaut’s character, Rani, will not go to foreign shores. Instead, she’ll travel to different cities across India while also embarking on a journey of self-discovery.

About Queen Besides Kangana Ranaut, Queen also starred Rajkummar Rao, Lisa Haydon, Nayani Dixit and others. It was produced by Vikramaditya Motwane and Anurag Kashyap of Phantom Films, along with Viacom18 Motion Pictures, and told the story of a girl left devastated after her fiancé calls off their wedding at the last minute. Nevertheless, she decides to go on her honeymoon alone. How this trip transforms her life completely formed the rest of the film.

Queen emerged as a pathbreaking film and was loved for its subject, progressive theme, treatment, award-winning performance by Kangana Ranaut and music by Amit Trivedi. The film opened at just Rs. 1.75 crores and then went on to earn Rs. 61 crores in its lifetime through sheer word of mouth. It was also a rare film in the 2010s to collect more in Week 2 than in Week 1.

Also Read: Vicky Kaushal, Kangana Ranaut and others shower love on Dhurandhar franchise; applaud Aditya Dhar and his work


 BREAKING: Anurag Kashyap’s Dev D to re-release on April 24

BREAKING: Anurag Kashyap’s Dev D to re-release on April 24

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In the pre-Gangs Of Wasseypur (2012) era, it was Dev D (2009) that made Anurag Kashyap a force to reckon with. It attained a cult following and 17 years after its release, it's all set to re-release in cinemas on April 24.

As per an article in Bombay Times, the Abhay Deol-Kalki Koechlin-Mahie Gill starrer will be back on the big screen, but only in select theatres. It also carried quotes of Anurag Kashyap, Abhay Deol, Kalki Koechlin and music director Amit Trivedi. Anurag said, “To see Dev D return to the big screen feels special. It’s a film meant to be experienced collectively with Amit Trivedi’s music and Rajeev Ravi’s cinematography powering the narrative. I am curious to see how the new generation responds to it.”

Kalki Koechlin revealed, “I remember being so nervous about my Hindi lines that every morning on set, I would practise all my vowels and consonants in Devanagari to get the pronunciation right. The best part about shooting the film was not knowing anything about filmmaking, because it meant I didn’t care about the camera angle or how I looked on camera.”

Interestingly, it was lead actor Abhay Deol who suggested the idea of the film to Anurag. He explained, “I remember when I would narrate the idea of Dev D, the most common reaction I got was that it was ‘too arty’ to be made. When I narrated it to Anurag, I didn’t tell him it was a contemporary treatment. I just narrated a love story. He did not guess what I was actually narrating, and when I revealed that it was a contemporary Devdas, he went quiet for 20 minutes, imagining it in his head. He loved the idea of treating it with a musical score that would take the story forward, one song at a time. Although he went with a different ending (my idea remains Dev dying in the end), my thought was to call out Devdas’ misogyny and highlight the women’s resilience. It’s my only idea that got made into a movie.”

Amit Trivedi’s career also got a boost with Dev D. He stated, “Each song was deeply rooted in the narrative, whether it was the wild energy of ‘Emosanal Attyachaar’ or the quiet ache of ‘Nayan Tarse’. When the film was released, something shifted for me and helped me find my voice as a composer.”

About Dev D Dev D was a contemporary reimagining of the classic Bengali novel Devdas by Sarat Chandra Chattopadhyay and was produced by Ronnie Screwvala. While Abhay Deol played Dev, Mahie Gill essayed the role of Paro. Kalki Koechlin was launched with this film and she played Chanda. Nawazuddin Siddiqui featured in an entertaining cameo as a band singer in the song ‘Emosanal Attyachar’.

Also Read: Tanuja picks ‘director’ Aditya Dhar over Ranveer Singh as the hero of ‘Dhurandhar’; calls it a ‘landmark’ film in fun review with Tanishaa Mukerji


 SCOOP: Awarapan 2 locks Independence Day 2026 release; Emraan Hashmi returns as Shivam 

SCOOP: Awarapan 2 locks Independence Day 2026 release; Emraan Hashmi returns as Shivam 

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The Emraan Hashmi and Disha Patani led Awarapan 2 is among the keenly awaited films of 2026. A sequel to Awarapan, the film has been trending on Book My Show and Instagram as the makers had earlier announced an April 3 release. Since the shoot is still pending, we have exclusively learnt that a new release date of Awarapan 2 is locked.

Reliable sources confirm that Awarapan 2 is all set to hit the big screen during the Independence Day 2026 weekend. "Awarapan 2 has shaped up well as a musical intense love story with Emraan Hashmi, and Disha Patani. The makers were considering several release dates, and have finally decided on Independence Day weekend," the source told Bollywood Hungama.

Awarapan 2 is presently on floors, and the shoot is expected to be wrapped up by the end of April. Following two months of post-production, the makers are all set to bring it during the festive period of Independence Day.

For those unaware, Awarapan has gained a cult status over the years, with songs becoming evergreen for the cinema-going audiences. For the sequel too, the makers have recreated two songs from the original album, and they are said to be among the major highlights. Awarapan 2 is directed by Nitin Kakkar.

Also Read: REVEALED: Not Emraan Hashmi or Akshay Kumar, this actor plays Bade Sahab in Dhurandhar The Revenge


 EXCLUSIVE: R Madhavan sneaks into Mumbai’s Chitra Cinema to watch Dhurandhar The Revenge; here’s how he made sure moviegoers didn’t realize he was seated among them

EXCLUSIVE: R Madhavan sneaks into Mumbai’s Chitra Cinema to watch Dhurandhar The Revenge; here’s how he made sure moviegoers didn’t realize he was seated among them

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For a celebrity, watching their own film in a theatre is always a risk, as there’s the fear of being recognized by the audience, which can lead to chaos. This is especially true in single-screen cinemas. But at the same time, that’s where one gets to witness the most electric audience response. Two days ago, on April 1, R Madhavan weighed the pros and cons and took the plunge. He watched his film, Dhurandhar The Revenge, with the audience at a single-screen theatre in Mumbai. Usually, actors prefer visiting G7, aka Gaiety-Galaxy. However, R Madhavan chose Chitra Cinema in Dadar instead.

Yesterday, on April 2, film exhibitor and distributor Akshaye Rathi posted a story where the actor can be seen enjoying the film. Sometime later, he also posted a picture where R Madhavan is seen posing with Akshaye Rathi and a few more friends in the lobby of Chitra.

After the story and post were uploaded, Bollywood Hungama spoke to Akshaye Rathi. He said, “R Madhavan was keen to get a first-hand experience of how the audience was reacting to Dhurandhar The Revenge. That’s why we chose Chitra Cinema. It attracts the masses and, at the same time, its sound, picture quality and seating are top-class.”

On April 1, @ActorMadhavan secretly watched #DhurandharTheRevenge at Mumbai's Chitra Cinema with @akshayerathi and a few friends. Video Courtesy: Story uploaded by Akshaye Rathi on April 2 pic.twitter.com/XdyiYfPugM

— Fenil Seta (@fenil_seta) April 3, 2026

Akshaye continued, “We knew that if people realized R Madhavan was seated among them, it would become an issue, especially since we weren’t accompanied by any security personnel or bouncers. Hence, we entered the theatre a few minutes after the film had begun. He also wore a cap and hoodie while entering the auditorium. As expected, the staff and the patrons didn’t realize that the actor had visited the cinema hall. However, the manager was informed about his presence.”

Akshaye Rathi then said, “In the intermission, R Madhavan stepped out in the F&B area. This is when some patrons recognized him. However, the actor was quickly ushered into the manager’s cabin. He left from there only when the second half began. The actor is always more than happy to meet the fans and aam junta. But he realized that if word would spread about his presence, it would have caused issues.”

 

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  A post shared by Akkshay Rathie / अक्षय राठी 🇮🇳 (@akshayerathi)

Before the credits rolled, R Madhavan exited the theatre. His mission was successful, much like that of his character, Ajay Sanyal, in the film.

The story uploaded by Akshaye Rathi also revealed that the actor was seated in the last row of the balcony, next to the exit. This, too, was meticulously planned so that he could enter and leave without drawing anyone’s attention.

Also Read: R Madhavan reacts to the praise showered by Allu Arjun on him and Dhurandhar: The Revenge; calls it ‘super super special’ at a pivotal moment