Imtiaz Ali reveals how Subhash Ghai SAVED Socha Na Tha: "He bought the film at a price higher than its actual value"; admits Showman was once FURIOUS with him: "He signed me for a film, but I backed out"

Imtiaz Ali reveals how Subhash Ghai SAVED Socha Na Tha: "He bought the film at a price higher than its actual value"; admits Showman was once FURIOUS with him: "He signed me for a film, but I backed out"

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Imtiaz Ali attended the Celebrate Cinema 2026 festival at Whistling Woods International. Later, he interacted with the media along with Subhash Ghai and his daughter Meghna Ghai Puri. Imtiaz spoke about his affection for Subhash Ghai and shared an untold story about how the veteran filmmaker played a crucial role in ensuring that his debut film, Socha Na Tha (2005), got a theatrical release. The romantic comedy marked the debut of Abhay Deol and also starred Ayesha Takia. Imtiaz also raised laughs as he recalled an incident when Subhash Ghai was upset with him.

Imtiaz Ali began by saying, “I have shared a great bond with Subhash ji. But there was a time when he was very angry with me.” He initially hesitated to narrate the incident, but Subhash Ghai insisted, “Please tell them.”

Imtiaz Ali revealed, “My debut film, Socha Na Tha, was stuck for release. Due to some issues involving the producers, the film was not getting released. It was only today that I learned that Subhash ji’s wife (Mukta Ghai) was on the Examining Committee of the CBFC (Central Board of Film Certification). She saw the film during the censor screening and liked it a lot. She told Subhash ji to watch it. He arranged a screening and liked the film as well. Since the film wasn’t releasing, he bought it at a price higher than its actual value. He acquired the negative rights solely to ensure that the film got a theatrical release. I had never met Subhash Ghai, and yet he did this for me. This is how people show kindness in our industry.”

He continued, “Then he signed me for a film which couldn’t be made because of me. I told him, ‘Sorry sir, main film nahin kar paunga’. For some time, he was very angry with me. Later, he went to Mauritius, where I found a way to pacify him (smiles).”

Also Read: Saira Banu pays emotional tribute to Kathak Guru Roshan Kumari Ji; says, “I don’t want to say goodbye”


 Amitabh Bachchan pays emotional tribute to Nana Patekar; recalls actor’s memorable Kaun Banega Crorepati appearance

Amitabh Bachchan pays emotional tribute to Nana Patekar; recalls actor’s memorable Kaun Banega Crorepati appearance

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Amitabh Bachchan paid an emotional tribute to veteran actor Nana Patekar following his sudden demise, remembering him as an exceptional performer, a dear friend and a committed social worker. Reflecting on Patekar’s legacy, Bachchan highlighted the qualities that set him apart, including his fearlessness, simplicity and courage to speak his mind.

In his tribute, Bachchan said, “Deviyo aur sajjano, Nana Patekar ji ka achanak aaj subah swargwas ho gaya. Ek adwitiya kalakar, mitra, shubhchintak, aur ek utkrisht samaj sevak aaj hamare beech nahi rahe. Ye na keval Bharatiya film udyog ke liye, balki ek vyaktigat taur par, jinka bhi unke saath sampark hua, usne hum sabko stabdh kar diya hai. Unki bebaki, unki sadgi, aur sach ko sach kehne ka unka saahas, ye sari baatein unko sabse alag banati thi ((Ladies and gentlemen, Nana Patekar ji passed away suddenly this morning. An unparalleled artist, a friend, a well-wisher, and an exceptional social worker is no longer among us. This is not only a monumental loss for the Indian film industry, but also a deeply personal loss for everyone who had the privilege of knowing him. His sudden departure has left us all stunned. His fearlessness, his simplicity, and his courage to call the truth exactly as it was — these qualities made him truly different from everyone else).”

He went on to continue, “Kuch log hamare jeevan se chale jaate hain, lekin unki aawaz, unke paropkar, unki sikhai hui seekh hamare bhitar reh jaati hai. Nana unhi logon mein se ek the. Aapko, Nana, vyaktigat roop se mera naman. Aur aapki us kala ko pranam, jise aapne puri imandari se jeeya aur hum sabko samarpit kiya (Some people leave our lives, but their voice, their acts of compassion, and the lessons they have taught us remain within us. Nana was one of those rare people. Nana, I offer you my personal respects. And I salute the art that you lived with complete honesty and devoted wholeheartedly to all of us).”

Recalling Patekar’s appearance on Kaun Banega Crorepati Season 16, Bachchan also spoke about the actor’s commitment to humanitarian work. He remembered the special episode as a memorable evening, particularly because Patekar dedicated his prize money to a cause close to his heart.

Bachchan said, “Iss manch par hamare vishesh karyakram mein ek atithi ke roop mein unka aagman hua tha. Wo yaadgar shaam sada hamare saath rahegi. Unki baaton ne na keval hume prabhavit kiya, balki jis nek kaaj ke liye unhone jeeti hui dhanrashi ko samarpit kiya, wo unki samaj seva ka udaharan tha. Maharashtra ke un gaon mein jo varsha ke abhav se peedit the, unhone wahan ke kisanon ke saath sampark kiya aur vyakatigat roop se unki seva ki (He had come to this stage as a guest for our special episode. That memorable evening will always remain with us. His words not only touched and inspired us, but the noble cause to which he dedicated the prize money he had won was a powerful example of his commitment to social service. In the villages of Maharashtra that were suffering because of a lack of rainfall, he reached out to the farmers and personally extended his support and service to them).”

 

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The megastar concluded his message by extending his condolences on behalf of the show’s team, saying, “KBC parivaar ki aur se hardik shradhanjali (On behalf of the entire KBC family, our heartfelt tribute).”

Beyond his celebrated film career, Patekar was widely associated with social initiatives supporting drought-affected farmers and rural communities in Maharashtra. His work through the Naam Foundation, which he co-founded with Makarand Anaspure, became an important part of his public legacy.

About Nana Patekar’s demise

Nana Patekar, a Padma Shri recipient, passed away on October 8, 2026, at the age of 75. According to reports, he suffered a cardiac arrest at his residence in Dona Paula, Goa, and was declared dead at approximately 5:20 AM IST after efforts to revive him proved unsuccessful.

Also Read: Salman Khan postpones Mumbai event after the death of Khamoshi co-star Nana Patekar: Report


 EXCLUSIVE: PVR INOX's Sanjeev Kumar Bijli talks about consumer court rulings over lengthy cinema ads: “We have reduced ad time from 15 mins to 10 mins...we want to make sure that moviegoing experience does not get compromised”

EXCLUSIVE: PVR INOX's Sanjeev Kumar Bijli talks about consumer court rulings over lengthy cinema ads: “We have reduced ad time from 15 mins to 10 mins...we want to make sure that moviegoing experience does not get compromised”

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In 2025, a Hyderabad-based man approached the Consumer Court after claiming that he was made to watch 22 minutes of advertisements at a PVR INOX theatre when he went to see the Dhanush-Nagarjuna starrer Kubera. Last month, in September 2026, the District Consumer Disputes Redressal Commission-II, Hyderabad, held PVR INOX liable for deficiency in service and unfair trade practices and ordered the multiplex chain to pay Rs. 20,000 as compensation to the complainant and Rs. 5,000 towards litigation costs.

This was the second such case in which the multiplex chain was asked to compensate an aggrieved moviegoer over advertisements. Last year, a Bengaluru patron, upset over being made to watch nearly 25 minutes of commercials and trailers during a screening of Sam Bahadur, approached the Consumer Court. PVR INOX was subsequently ordered to pay Rs. 1 lakh in compensation and legal costs.

Advertisements in cinemas, before a film begins or during the interval, have been a common practice for decades, and moviegoers have largely accepted them. Certain brands have even relied heavily on the big screen for promotions. For instance, viewers in Mumbai would fondly remember the Gangar Opticians advertisement that was regularly shown in cinemas in the early 2000s. Its memorable presentation ensured that the brand enjoyed strong recall value among moviegoers. In recent times, the Lyra Leggings commercial featuring Janhvi Kapoor, along with its catchy theme song, has become firmly etched in the minds of moviegoers, thanks to its repeated screenings in theatres. Interestingly, the ad is rarely, if ever, seen on television, and audiences have largely come across it in cinemas. Those frequenting PVR INOX cinemas would also be familiar with an audiovisual presentation in which prominent brand owners and company officials explain how cinema advertising can have a significant impact on footfalls and sales.

However, while patrons may not mind watching advertisements, having become accustomed to them over the years, the problem arises when the commercials go on and on, testing their patience. Bollywood Hungama spoke exclusively with Sanjeev Kumar Bijli, Executive Director, PVR INOX Limited, about the healthy box office performance in September and the first week of October. Towards the end of our interaction, we asked him about the recent ruling concerning cinema advertisements and whether a middle ground could be reached, allowing advertisements to continue but within reasonable limits.

Sanjeev Kumar Bijli said, “We are always looking at that. We haven’t received that many complaints. We have also reduced our ad time from 15-18 minutes to 10 minutes, which we thought was a sweet spot and which we thought wasn’t compromising on the viewing experience. But of course, you can’t please everyone and this happened. But we are obviously keeping a close eye on it.”

He continued, “We haven’t come out with anything which is a carte blanche policy. But we are keeping a keen eye on it to see how we can reduce it. At the end of the day, we want to make sure that the moviegoing experience does not get compromised by anything. As of now, we have reached a sweet spot as far as ad time is concerned. Hopefully, that’ll be palatable and acceptable to everyone.”

Also Read: EXCLUSIVE: PVR INOX’s Sanjeev Kumar Bijli celebrates Drishyam The Conclusion’s box office success: “Our weekend admissions stood at 30 lakhs, among the HIGHEST ever”; predicts BLOCKBUSTER run for Ramayana: “It has all the ingredients”


 Inside Karan Wahi’s FIRST Navi Mumbai International Airport visit featuring food, shopping and mini-golf adventure!

Inside Karan Wahi’s FIRST Navi Mumbai International Airport visit featuring food, shopping and mini-golf adventure!

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Karan Wahi has finally given fans what they have been asking for, a glimpse into his life beyond the screen. Fresh off his third stint on Khatron Ke Khiladi, the actor recently took fans along on a new adventure, making his first-ever visit to Navi Mumbai International Airport (NMIA) and documenting the experience in a new vlog.

During his interaction with the paparazzi, Karan was jokingly asked why he was at the airport when he could be flying out in a helicopter, a cheeky reference to his recent Khatron Ke Khiladi stint. Karan quipped, “Move on Khatron, I have moved on,” before getting on with his different kind of adventure.

He took his fans through the entire airport experience, showing them what happens post celebrities get papped. From exploring the airport’s architecture and installations to discovering its food, retail and leisure offerings, Karan found enough reasons to keep him occupied before the flight.

Welcomed by the Pranaam team on arrival, Karan explored the airport, including the Experience Centre, where the striking art, scale and design caught his attention. He also checked out the range of restaurants and outlets, and mentioned that some of the options were hard to find elsewhere in the city.

But the highlight of the visit was when he headed to the airport lounge and discovered something rather unexpected — mini-golf, a first-of-its-kind offering at an Indian airport. After testing out his golfing skills and unwinding at the lounge, Karan made his way to the boarding gate.

 

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What began as Karan’s first visit to NMIA turned into a full-fledged experience of exploring, eating, and shopping, giving his fans a behind-the-scenes glimpse of the actor’s travel routine and delivering the vlog they had been waiting for.

Also Read: Orry gives a peek inside Avinash Mishra’s Khatron Ke Khiladi 15 victory party with Shagun Sharma, Karan Wahi and others!


 JioHotstar enters Middle East and North Africa through exclusive partnership with STARZPLAY

JioHotstar enters Middle East and North Africa through exclusive partnership with STARZPLAY

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JioHotstar has expanded its international presence with its entry into the Middle East and North Africa (MENA). The move follows its launch in the UK, Canada and Singapore, adding another key market with a large South Asian audience to the platform’s growing global footprint. Through an exclusive partnership with STARZPLAY, JioHotstar will be available as a dedicated streaming destination on the STARZPLAY app and website.

The partnership combines JioHotstar’s content library with STARZPLAY’s regional reach and understanding of audiences in the MENA market. Viewers will have access to new JioHotstar Originals alongside their India releases, with content available with audio tracks in up to 10 languages. The offering will also include television content from JioStar TV channels, films and reality franchises.

Among the content available to audiences will be the upcoming season of Koffee with Karan and the ongoing season of Bigg Boss across six languages. The library will feature content in Hindi, Malayalam, Tamil, Telugu, Bangla and other languages, along with a substantial Malayalam catalogue aimed at serving the region’s Malayali audience.

The JioHotstar offering will be available through STARZPLAY’s PLUS plan at AED 34.99 per month. The MAX plan, priced at AED 49.99 per month, will combine the complete JioHotstar entertainment offering with STARZPLAY’s sports portfolio, including major sporting events and cricket.

Commenting on JioHotstar’s expansion into the Middle East, Amit Malhotra, Head – International Business, JioStar, said, “The strong early response to JioHotstar across the UK, Canada and Singapore has reinforced our belief in the global opportunity for Indian entertainment. As we build JioHotstar into a truly global streaming platform, MENA is a crucial next market, with one of the world’s largest South Asian diaspora communities and a deep appetite for entertainment across languages. Our partnership with STARZPLAY allows us to enter the region with scale and bring audiences the breadth of JioHotstar, from new originals and daily television to blockbuster films and iconic reality franchises. This is an important step in taking Indian stories, talent and cultural moments to audiences around the world.”

Speaking about the partnership, Maaz Sheikh, CEO of STARZPLAY, said, “The next phase of streaming growth in MENA will be shaped by platforms that bring the right brands together and make the viewing experience more valuable. Audiences should not have to navigate an increasingly fragmented market to find the entertainment that matters to them. Bringing JioHotstar to STARZPLAY is a strategic investment in that future, combining the strength of India’s storytelling with our understanding of this region and the audiences we serve.”

“Cricket has given STARZPLAY a strong and lasting relationship with South Asian audiences across the region. JioHotstar allows us to extend that relationship beyond the match and into the entertainment households return to every day. Our ambition is to make STARZPLAY the destination where every member of the family finds something they value,” Maaz added.

To mark the MENA launch, the Burj Khalifa was illuminated as part of a launch celebration. JioHotstar’s Big Bang was projected onto the world’s tallest building in a display of colour and light, bringing together JioHotstar and STARZPLAY to mark the platform’s arrival in the region.

JioHotstar continues to explore features such as AI-powered personalisation, conversational discovery, interactive entertainment and in-app commerce. With its expansion into MENA, the platform now has an international presence spanning Europe, North America, Asia and the Middle East, with its approach tailored to the audiences in each market.

Also Read : Bigg Boss 20 teaser out: Salman Khan drops cryptic Karan Arjun hint ahead of September 6 premiere


 EXCLUSIVE: Cinepolis India’s Ashish Misra predicts HISTORIC Rs. 15,000 cr India box office in 2026; says, “Ramayana can be the BIGGEST film Indian cinema has ever seen”

EXCLUSIVE: Cinepolis India’s Ashish Misra predicts HISTORIC Rs. 15,000 cr India box office in 2026; says, “Ramayana can be the BIGGEST film Indian cinema has ever seen”

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By the end of July, international films had amassed Rs. 1,424 crores at the Indian box office, putting 2026 within striking distance of the all-time annual record of Rs. 1,595 crores set in 2019. Leading the charge was Spider-Man: Brand New Day, which emerged as the highest-grossing international film ever in India. The strong momentum continued through August, with international cinema commanding a 15% share of the Indian box office, up from 10% in 2025. The overall Indian box office, too, has been witnessing consistent growth. The cumulative gross box office of all films released in India stood at Rs. 11,833 crores in 2024 and rose to Rs. 13,395 crores in 2025. With 2026 delivering strong results across languages, genres and budgets, Ashish Misra, Head of Commercialisation, Cinepolis India, believes it would not be a surprise if the cumulative box office crosses the Rs. 15,000 crore mark for the first time.

In an exclusive conversation with Bollywood Hungama, Ashish Misra spoke about Hollywood’s impressive resurgence, expectations from Ramayana, the packed final quarter of 2026 and why the year could turn out to be a historic one for the Indian film industry.

How do you view Hollywood's performance so far this year? Not just biggies but even smaller films like Obsession worked big time… Hollywood has bounced back after facing a few barriers. The strikes in 2023 delayed the production and release of several films, and that had a trickle-down effect on box office performance as well. But this year, we have witnessed renewed interest, with films across multiple genres performing well.

Historically, horror has been a promising genre for Hollywood films in India. We have seen that with The Conjuring universe, the Evil Dead series, etc. Hence, Obsession performing well was not a surprise, especially because the film had incredibly positive word of mouth not just in India but globally. Today, in a connected world, when people start praising a movie, we see that sentiment translating into the Indian box office as well. That’s what happened with Obsession.

Meanwhile, Michael also did well. Project Hail Mary caught the imagination of Indian audiences because of its visuals and subject. And now, Spider-Man: Brand New Day has become the biggest Hollywood film ever in India. It is part of the Marvel Cinematic Universe, which tends to perform very well in the country. Its performance has further increased our expectations from Avengers: Doomsday.

Hence, December looks very promising from an exhibitor’s point of view. Besides Avengers: Doomsday, we also have Dune: Part Three and Jumanji: Open World. Overall, 2026 is shaping up to be a very strong year for the industry.

Besides Avengers: Doomsday, Dune: Part Three and Jumanji: Open World, Shah Rukh Khan’s King also releases around the same time. Will it be a challenge to divide shows among these four anticipated films? When it comes to programming, it’s ultimately about demand. The idea is to allot more shows to the films that audiences want to watch. To give you an example, Toxic and Hanuman Ansh were playing in cinemas at the same time. Toxic was expected to be a huge grosser, while Hanuman Ansh, despite having released three weeks earlier, was gradually gaining momentum around the same time. Our programming accordingly evolved based on what the audiences were demanding.

What are your hopes from Ramayana? All of us Indians have grown up being mesmerized by the story of the Ramayana. Its theme of good versus evil resonates with audiences across the country. Hence, our expectations from Ramayana are very high.

It is mounted on such a massive scale that we believe it has the potential to become the biggest film the Indian film industry has ever seen. And it’s not just about India. The film also has the ability to take Indian culture and heritage to audiences across the world.

Any final thoughts? 2026 looks set to be the best-ever year for the Indian film industry. It will probably be the first time that the box office in India crosses the Rs. 15,000 crores mark. What is particularly encouraging is that the contribution is not coming from just a handful of blockbusters; a lot of small and medium-budget films are also doing very well. That’s one trend that has given us a lot of confidence.

Also Read: Ranbir Kapoor as Lord Rama: Ramayana makers unveil BTS glimpse on actor’s birthday


 EXCLUSIVE: Real Kashmir Football Club writer Simaab Hashmi on Emmy honour; says, “A Kashmiri Pandit and a Kashmiri Muslim started the club together; sounded too good to be true”; on its UNCENSORED Kashmiri flavour: “I heard locals using abuses; I’d ask what they meant and note everything down!”

EXCLUSIVE: Real Kashmir Football Club writer Simaab Hashmi on Emmy honour; says, “A Kashmiri Pandit and a Kashmiri Muslim started the club together; sounded too good to be true”; on its UNCENSORED Kashmiri flavour: “I heard locals using abuses; I’d ask what they meant and note everything down!”

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On September 23, the nominations for the 54th International Emmy Awards were announced and, in a significant achievement for India, the SonyLIV series Real Kashmir Football Club bagged a nomination in the Best Drama Series category. The recognition came as a pleasant surprise for the team, who are understandably on cloud nine. In an exclusive interview with Bollywood Hungama, Simaab Hashmi, the lead writer and an executive producer of Real Kashmir Football Club, spoke about the making of the show, its portrayal of Kashmir, the unexpected Emmy honour, the possibility of Season 2 and a lot more.

Congratulations on the Emmy nomination. This is huge… Thank you so much. We are still in disbelief. Everytime someone calls me and congratulates me, it takes me a second to process that yes, our show has indeed made it to the Emmys! It’s not something you imagine will happen. Someone said that it is TV ka Oscars (laughs).

How did you get associated with the show as a writer and executive producer? I came across a newspaper article about the football club. I was amazed to learn there’s a football team in Kashmir. What further added to my surprise was that a Kashmiri Pandit and a Kashmiri Muslim came together to start this team. It sounded too good to be true. I asked myself, ‘How did this happen and how come nobody knows about it?’. I met a writer friend and told him that we should do something about this story. Meanwhile, I also met a common friend, who eventually become a producer on the show – Vishakha Singh. She also essayed the role of Manav Kaul’s wife. She was completely sold by the idea. We didn’t know whether it would be made into a film or a series, but we definitely wanted to work on it. She asked me to call the owners and get the rights.

I called them, but by then, bahut logon ka call chala gaya tha unko. As you know, Bollywood is always looking for the next great story, right? So, they told me, ‘This person called me, that person called me’. They also said, ‘We are busy. Come and talk to us’. I told Vishakha that we should head to Srinagar. The next day, we were there. We told the owners that we had landed and they couldn’t believe it. I told them, ‘Aapne hi bola tha ki aa jaao’! This was the person whose character was eventually played by Mohd Zeeshan Ayyub bhai. We met him and got a first-hand experience of Kashmiri hospitality. He also introduced me to the Pandit owner, the late Sandeep Chattoo, who is no longer with us.

Then, we kept going back and spent months there. We have heard so many stories about Kashmir that are told from an outsider’s perspective. We were clear that until we understood what the people were really like, we shouldn’t make this series. We would stay in people’s homes because they were so warm and inviting.

Later, we met Kilian Kerwin, the seasoned producer of Delhi Crime. He loved the subject and immediately said, ‘We are making the show’. We met a lot of platforms, but since this was a very different story, we would often be told, ‘Kashmir ki story toh yeh nahin lag rahi hai’. My response was, ‘Exactly! That’s why it should be made. It’s not a regular tale of Kashmir’. It’s a story of hope, contrary to the dark tales that we have usually seen set in the Valley. Thankfully, Kilian believed in the idea and decided to put money into it. So, we made the show without having a platform on board.

Kilian brought in Mahesh Mathai, the legendary ad filmmaker, as the director. He became the captain of the ship and guided us throughout. Once the show was completed, SonyLIV came on board. They were great partners; Danish Khan, Saugata Mukherjee and the whole team were very excited about the show. The rest is history, especially after what has happened with the Emmy nomination.

Were Mohd Zeeshan Ayyub and Manav Kaul the original choices for the roles of Sohail Meer and Shirish Kemmu? They were the only two choices. Nowadays, we hear that ‘Yeh banda famous hai. Iske kaafi Instagram followers hain. Isko cast kar lo’. But that’s not how we functioned. Manav Kaul is a Kashmiri himself. When we met him, we instantly realized that he would be apt. The same applied to Zeeshan. Both actors are great; it was surprising that they had never worked together.

They were very collaborative. We would make up scenes on the set. Mahesh sir was so nice and liberal that he would tell us, ‘You boys just figure it out’! Me, Manav bhai and Zeeshan would then sit in the van and be like ‘Iss scene ko aise karte hai’. So, we did tweak some of the scenes.

Can you give us an example of a scene which was improvised on the set? After the wedding takes place on the football ground, there’s a confrontation scene between Manav bhai and Zeeshan about the future of the club. That scene was very different initially. We had doubts about whether it was working or not. While the production team was setting up the scene, Zeeshan, Manav bhai, Kilian and I sat together and created a new version of it. Then, Mahesh sir came in and added his magic sprinkle on top of it.

How did the people of Kashmir react to the show? I can’t tell you the number of people who have reached out. Even while we were making the show and doing our research, everyone was so happy that we were telling a story about the football club. After the show was released, several local personalities, including RJs, reached out to me on Instagram or somehow got my number and messaged me, ‘Thank you, Simaab, for showing us how we actually are’! Some even remarked, ‘The normal day-to-day life that we have has never been represented on celluloid’.

From the start, my idea was that mujhe Kashmiri ke kitchen ki kahaani jaanni hai. Their lives are just like ours, and the same goes for their joys and troubles. Of course, they have larger problems as well, but I wanted to depict the human experience of a Kashmiri. The best way I can put it is that Kashmiris felt represented.

I met so many women there who are working, running businesses and leading their families. We have rarely seen that represented in popular culture. Even though our show is about a men’s football team, each and every female character was very important. Some of them were even leading certain tracks in the show.

For the first time in my life, I heard Kashmiri abuses, thanks to your show… (Laughs) We used to hang out with a lot of Kashmiri boys. We noticed that while talking among themselves, they would use choicy words! I would ask them what they meant. They would say, ‘Yeh so-and-so Hindi gaali ka Kashmiri equivalent hain’! I would note everything down. Adhir Bhat, who is also a Kashmiri, wrote the dialogues and helped us figure out the correct words to use.

How many days did it take to shoot Real Kashmir Football Club? I know it feels like a very long show, but we finished the shoot in record time – just 55 days! And this was despite all the football sequences, which involved so many different angles, setups and cameras. One thing I learnt was that shooting football is like shooting action!

Will there be a Season 2? After all, the show ends by informing viewers that Real Kashmir Football Club had another round of success two years after the events shown in the first season, in 2018… There are a lot of stories about the club that remain untold. Our show came out last December and suddenly, people are now texting and calling me to say, ‘This is such a good show’. So, I am hoping that the Emmy honour may lead us to a second season. We have plenty of stories left to tell.

I remember once I randomly told Sandeep Chattoo, ‘Sir, this is such a fairy tale story’. He replied, ‘Let me correct you that this is not a fairy tale story. Fairy tales come to an end, while Real Kashmir is forever’. So, we hope to tell more stories from Kashmir.


 Mona Singh shares first glimpse from her UK shoot; see post

Mona Singh shares first glimpse from her UK shoot; see post

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Mona Singh has begun shooting for her next film in the UK, continuing a busy year that has seen the actor take on multiple roles across different projects. After appearing in six distinct roles in 2026, Singh has now started work on another feature film.

The actor took to social media to share a glimpse from the film’s picturesque shooting location in the Cotswolds. Along with the post, Mona expressed her excitement about being part of the project and hinted at its unconventional approach to filmmaking. She captioned the post: "This project/movie feels special and unprecedented , its because we have thrown out the old rule book. #actorslife #cotswold #makingmovies #instamood #oct2026".

Her note suggests that the upcoming film will take a different approach to storytelling, moving away from conventional narrative formats. While details about the project are currently under wraps, her post offers a glimpse into the creative process behind the film.

 

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As per reports, the film is directed by Vikas Bahl and features an ensemble cast of Indian and international actors, musicians and performers. The story is reportedly set in Britain in the early 1990s and explores the period when the UK Punjabi music movement was beginning to take shape.

The film is set against a time when a generation growing up between cultures was finding its voice through music and performance. The narrative reportedly traces this period through garages, backrooms, pirate radio stations and underground gigs, reflecting the emergence of a cultural movement that would go on to shape the experiences of a generation.

With production now underway in the Cotswolds, further details about the cast, storyline and release plans are awaited.

Also Read : EXCLUSIVE: Vikas Bahl’s next stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh, Alizeh Agnihotri; based on the explosive rise of Punjabi music in 90s UK


 Ramesh Taurani reveals how his Rs. 5 lakh cheque helped Salman Khan get paid and kickstarted Patthar Ke Phool – a film that was NEVER supposed to be made

Ramesh Taurani reveals how his Rs. 5 lakh cheque helped Salman Khan get paid and kickstarted Patthar Ke Phool – a film that was NEVER supposed to be made

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Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about their journey and experience of working on the music of some important films in their career. At the beginning, Ramesh Taurani said, “The first film whose music rights we acquired was Gunahon Ka Devta (1990). We paid Rs. 2.25 lakhs for it. We both didn’t sleep for 2 nights as we had paid Rs. 25,000 to the makers. Then we wondered, ‘Inko Rs. 2 lakhs chukayenge kaise?’ (laughs)! We also bought the music rights of Elaan-E-Jung (1989), which, again was an action film. We wanted to prove ourselves. So, we installed 6 hoardings for this film in Mumbai, in places like Bandra, Juhu, etc. Imagine a music company putting up posters, that too of an action film. But it worked as it sparked a discussion among filmmakers. They felt ki ‘Yeh toh acchi music company hai’!”

Ramesh continued, “Then, we bagged the rights of Patthar Ke Phool (1991). Bhagyashree took the full credit for Maine Pyar Kiya (1989). 3 months after its release, Salman Khan didn’t have any film in its pipeline. That’s when Salim saab asked G P Sippy saab to announce that he was producing Salman’s next film. He told Sippy saab, ‘Bhale aap picture mat banao lekin aapke announcement se ek boost milega’.”

Ramesh Taurani revealed, “It was in Film Information magazine where I read that G P Sippy has signed Salman Khan. The news got published on Saturday and on Monday, I was in G P Sippy saab’s office. I expressed the desire to acquire the music rights. I asked him, ‘Have you signed any music director?’. He replied, ‘No’. I then asked if he had got a lyricist on board. He told me, ‘We haven’t done that either’. I requested him to get the Maine Pyar Kiya team again – music director Raamlaxman, lyricist Dev Kohli, and singers S P Balasubrahmanyam and Lata Mangeshkar! I told him, ‘Yeh combination hi aap lena. Aap bataiye aapka price kya hai?’.”

Ramesh added, “G P Sippy saab confessed that he hadn’t given much thought to the music and asked me to meet him after 2 days. Meanwhile, he was in touch with Viveck Vaswani, who wished to make an Rs. 80 lakh project called Patthar Ke Phool. Viveck wanted to sign Salman Khan and Ravi Tandon’s daughter, Raveena Tandon. Sippy saab initially declined, saying that it was a small project while they were used to making big-budget films. But after he met me, he felt, ‘Music ka aadmi aa gaya kheeli ek announcement pe. Toh iss project ko active karte hain’ (smiles).”

Ramesh Taurani stated, “Hence, he called Viveck Vaswani and the next day, he met Raamlaxman and discussed his fees. He asked for Rs. 12 lakhs. A day later, G P Sippy saab met me and told me, ‘Woh bahut mehenga hai. Rs. 12 lakh maanga’. Those days, Anand-Milind’s music rights used to be sold for Rs. 2-3 lakhs, while Laxmikant-Pyarelal’s music rights were sold in the range of Rs. 3-5 lakhs. I was in a spot as I was the one who had suggested Raamlaxman’s name! Finally, we negotiated and bought the rights for Rs. 10 lakhs.”

Ramesh then said, “We gave G P Sippy saab the first cheque amounting to Rs. 5 lakhs. From that amount, payments were made to Salman, Raveena and Salim saab, who was also the film’s writer. That’s how the film went on floors!”

Also Read: Lyricist Mehboob reacts to ‘Humma Humma’ remake in OK Jaanu: “NOT very happy with the idea of remixes…we have great creative minds, so why not make something new?”


 Ranveer Singh calls Captain Smit Machchhar ‘Captain Courageous’ after Flydubai mid-air incident

Ranveer Singh calls Captain Smit Machchhar ‘Captain Courageous’ after Flydubai mid-air incident

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Actor Ranveer Singh has praised Captain Smit Machchhar for his actions during a mid-air emergency involving Flydubai flight FZ1073.

The flight was travelling from Dubai to Tel Aviv on September 30 when it was diverted to Tabuk, Saudi Arabia, following a violent confrontation in the cockpit. Captain Smit Machchhar sustained injuries during the incident but managed to open the cockpit door, allowing passengers and crew members to intervene and help bring the situation under control.

The aircraft, which was carrying over 170 people, was subsequently brought under control and landed safely. The incident drew attention to the captain’s actions during the emergency.

Ranveer Singh took to his Instagram Stories to share a picture of Captain Machchhar and acknowledge his bravery. The actor wrote, “CAPTAIN COURAGEOUS”, accompanied by a salute emoji and the Indian flag emoji.

Through his social media post, Ranveer expressed his appreciation for the captain’s actions during the incident.

The Flydubai incident has since drawn attention to the events aboard the flight and the actions taken by the cockpit crew and passengers before the aircraft landed safely in Saudi Arabia.

Also Read : EXCLUSIVE: CBFC orders 45-50 cuts for Dhurandhar The Revenge’s TV Premiere; U/A 16+ version is 10 minutes shorter


 From Deepika Padukone’s Louis Vuitton moment to Alia Bhatt’s Cannes look and Kriti Sanon’s Burberry style: 5 Indian actresses who brought their style A-game abroad

From Deepika Padukone’s Louis Vuitton moment to Alia Bhatt’s Cannes look and Kriti Sanon’s Burberry style: 5 Indian actresses who brought their style A-game abroad

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Indian cinema’s premier leading ladies are continually redefining international style standards, bringing high-octane glamour, sharp tailoring, and rich sartorial heritage to prestigious global stages. From the historic fashion capitals of Paris and London to star-studded international red carpets in Cannes, Milan, and Riyadh, these powerhouse actors have established themselves as undeniable global fashion icons. This list highlights five leading Indian actresses who truly aced international fashion events, perfectly combining high-fashion couture with confident individuality.

Deepika Padukone: ⁠Making a striking impression at Paris Fashion Week for the Louis Vuitton Fall/Winter 2025 presentation (#LVFW25), global House Ambassador Deepika Padukone exuded timeless, old-world Parisian sophistication in a sharply tailored light-grey trench coat featuring an oversized white lapel collar, styled effortlessly with dark leather gloves, sheer black tights, classic pumps, and a statement wide-brimmed white hat.

 

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Priyanka Chopra Jonas: Stepping out for an exclusive, star-studded evening with Bvlgari in Milan, Italy, Priyanka Chopra Jonas commanded the room in a dramatic, body-sculpting black mermaid gown designed with a plunging sweetheart neckline and an avant-garde folded shoulder accent, beautifully offset by a sparkling high-jewelry diamond necklace and a sleek pulled-back updo.

 

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Kriti Sanon: Taking front-row center stage at London Fashion Week for the Burberry show, Kriti Sanon defined autumn-winter chic in a structured dark mocha-brown textured trench coat thoughtfully styled with an eye-catching geometric teal scarf tucked along the neckline, an updoupdoop-knotd a sleek luxury shoulder bag.

 

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Alia Bhatt: Gracing the opening night of the prestigious Cannes Film Festival on behalf of global beauty giant L'Oréal Paris, Alia Bhatt delivered pure fairytale romance on the French Riviera in a soft blush-pink strapless gown with a deep plunge neckline, seamlessly anchored by a light, flowing sheer train draped elegantly around her arm.

 

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Shraddha Kapoor: Representing Indian cinema at the prestigious Joy Awards during Riyadh Season in Saudi Arabia, Shraddha Kapoor fused regal Indian tradition with modern Middle Eastern couture in a mesmerizing black saree-style gown lavishly detailed with intricate gold metallic hand-embroidery across the bodice, sheer sleeves, and trailing pallu.

 

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With these standout international appearances, these actors continue to elevate Indian talent on the global fashion stage, proving that whether on the red carpet or front row at fashion week, their sartorial choices remain undeniably world-class.

Also Read: From Priyanka Chopra Jonas, Deepika Padukone to Bhumi Pednekar: Bollywood actresses who turned heads at global fashion events


 EXCLUSIVE: Vikas Bahl's next stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh, Alizeh Agnihotri; based on the explosive rise of Punjabi music in 90s UK

EXCLUSIVE: Vikas Bahl's next stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh, Alizeh Agnihotri; based on the explosive rise of Punjabi music in 90s UK

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After impressing audience with Queen (2014), Goodbye (2022) and Shaitaan (2024), Vikas Bahl is all set with his next directorial. The untitled film stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh and Alizeh Agnihotri in lead roles. The coming-of-age drama is set against a defining cultural moment, where a generation of immigrants found belonging, rebellion and a voice through music.

Set in Britain in the early 1990s, the film unfolds against the rise of the UK Punjabi music movement, a turbulent and exhilarating time when a generation growing up between cultures began turning up the volume from garages, backrooms, pirate radio stations and underground gigs.

It was a time when Punjabi dhol collided with basslines and when young Brown artists, with their unique sound, fought their way to music charts, making their whole community visible. Set against this cultural explosion, the film is a coming-of-age story about music, identity, family, friendship and belonging.

The film brings together an ensemble of Indian and international actors, musicians and performers to recreate a moment when an entire generation began to discover that perhaps belonging wasn't something they needed to ask permission for.

Also Read: Ayushmann Khurrana says influencers and YouTubers have changed the definition of stardom: “It used to be exclusive club earlier but not anymore”


 Nayyi Navelli trailer launch: Sushmita Mukherjee tells Yami Gautam, “You have long arms like Lord Rama; it’s very lucky”

Nayyi Navelli trailer launch: Sushmita Mukherjee tells Yami Gautam, “You have long arms like Lord Rama; it’s very lucky”

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Yami Gautam, Adinath Kothare, Sushmita Mukherjee, Mita Vashisht, producers Nikhil Madhok, Aanand L Rai and Himanshu Sharma, director Balaji Mohan and others attended the trailer launch of Nayyi Navelli at a multiplex in Mumbai. The event marked Yami’s first major public appearance after receiving the National Award, and the team ensured that the occasion was celebrated on a grand scale. A massive setup was created for the trailer unveiling, with around 250 dhols forming part of the special welcome for Yami. The idea was to create a festive atmosphere as the actress returned to a major public event following her National Award recognition.

On stage, Sushmita Mukherjee said, “All of us, playing family members, were very coordinated. We kind of loved each other otherwise also. We had a great time. I would like to especially thank the producer and the entire cast and crew for this. This was unexpected. We have great hopes that this film will do wonderfully. We have Yami here, and I’ll like to share something about her. May I?”

Yami Gautam initially looked curious about what Sushmita was about to reveal. Moments later, she seemed to realize what was coming and quickly exclaimed, “No, no!” Sushmita first assured her she wouldn’t say it, but eventually shared the observation with the media.

Sushmita said, “I observed that she has long hands, which come up to her knees. Even Lord Rama had such long hands. It was called ‘ajanubahu’, which is very lucky. So, I shared that with her. She’s very shy. She confessed, ‘Yeh meri maa ne bhi kaha hain’! So, I guess we have great blessings for the whole cast and crew.”

Nayyi Navelli releases in cinemas on October 16.

Also Read: Nayyi Navelli trailer launch: Is Yami Gautam aiming for an Oscar after National Award win? Actress BREAKS silence, “Aapke sapne sirf aapko pata hone chahiye”


 Nayyi Navelli trailer launch: Is Yami Gautam aiming for an Oscar after National Award win? Actress BREAKS silence, “Aapke sapne sirf aapko pata hone chahiye”

Nayyi Navelli trailer launch: Is Yami Gautam aiming for an Oscar after National Award win? Actress BREAKS silence, “Aapke sapne sirf aapko pata hone chahiye”

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Yami Gautam, Adinath Kothare, Sushmita Mukherjee, Mita Vashisht, producers Nikhil Madhok, Aanand L Rai and Himanshu Sharma, director Balaji Mohan and others attended the trailer launch of Nayyi Navelli at a multiplex in Mumbai. The event marked Yami’s first major public appearance after receiving the National Award and, naturally, the actress was asked about how the recognition has impacted her.

When asked whether she now feels a greater sense of responsibility, Yami replied, “Yes, I do feel the sense of responsibility even more. I have always, as an actor, looked out for roles which interest me as an actor. But the audience in me is always looking out for something original. We don’t know what’s good or bad, but does it excite me to come on the set every day and spend every second and every cell of my mind in that moment or not? And not just within the periphery of being an artist, but also as a team member – just someone who’s in service of making films. That’s it.”

She added, “And I think the National Film Award is a really, really big honour. It’s also a true validation for any artist, across all languages and all formats, that you can receive in our country. And I take it with all humility.”

Yami further admitted, “I’ll be lying if I say that nothing has changed. You do feel that there’s an added responsibility in me as an artist or actor who’ll try to push even more, be even more diverse, work even harder and try to win and earn this love and respect that you all have literally bestowed upon me — someone who has come from a small town and reached till here. I still feel there’s a long, long way to go. There’s so much for me to learn.”

Another journalist asked Yami whether she was aiming for an Oscar next. She responded, “Aapke sapne sirf aapko aur aapke mann ko pata hona chahiye. Otherwise, I don’t like to share much. I believe in my work. When work is your expression, then you don’t need to say much.”

He also asked if she continues to be grounded even after winning a National Award. Yami said, “Pair zameen pe hi hai aur pair jitne zameen se jude rahenge, utna achha rahega. One thing I’ve learned in my life, and whenever I see great personalities around me, is that success will come and go. Today, you are doing so many films; who knows whether you’ll be doing so many films tomorrow? But one thing that is in your hands is your humility. That makes one more memorable than anything else, in my opinion.”

Nayyi Navelli releases in cinemas on October 16.

Also Read: Yami Gautam brings warmth, mystery and mischief as Mohini in Nayyi Navelli trailer, out now


 Bigg Boss 20: Isha Rikhi BREAKS silence after eviction; says, “I had my emotional breakdowns, moments where I struggled to express myself”

Bigg Boss 20: Isha Rikhi BREAKS silence after eviction; says, “I had my emotional breakdowns, moments where I struggled to express myself”

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Punjabi actress Isha Rikhi has shared her first statement after being eliminated from Bigg Boss 20. The actress, who spent three weeks inside the reality show, took to social media to reflect on her journey, the emotions she experienced and the support she received from viewers. Isha was eliminated after facing the eviction vote against Yung DSA. Yung DSA was saved through public voting, bringing Isha’s stint on the show to an end.

Isha Rikhi reflects on her Bigg Boss 20 journey Following her exit, Isha shared a note on social media, admitting that her three weeks inside the Bigg Boss house came with a mix of emotions and challenges. She also acknowledged that there were moments when she struggled to express herself. She wrote, “Three weeks inside the Bigg Boss house three weeks of so many emotions, experiences, challenges, laughter, tears, and memories I’ll carry with me forever.”

The actress further added, “Coming back has made me realise just how much your love and support means to me. Thank you to every single person who stood by me, believed in me, cheered for me, and even to those who didn’t support me. I’m grateful for every opinion, every message and every person who was a part of this journey in some way.”

Another excerpt of her note read, “The last few weeks were not easy for me. I had my emotional breakdowns, moments where I struggled to express myself, and moments where I probably didn’t come across the way I wanted to. I know I may have disappointed some of you, and if I did, I’m genuinely sorry. I’m still processing everything, understanding myself better and taking this whole experience as a learning.”

 

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Isha says she felt the audience’s support Isha also thanked viewers who continued to support her during her time on the show. She said, “But one thing I want you all to know is that I felt your love, even when I couldn’t express much myself. And that means more to me than I can put into words. Thank you for standing by me, for understanding me, and for continuing to support me. ❤️ I’m truly, truly grateful. 🫶🏻”

Her statement comes shortly after her exit from the reality show, as she looks back at the experience and the response she received during her time inside the house.

Isha entered Bigg Boss 20 as one of the contestants this season. During her three-week stint, the actress became part of the conversations and dynamics inside the house before eventually facing the public vote.

Also Read: Bigg Boss 20: Isha Rikhi says she faced “physical, emotional and social cheating” in relationship


 MrBeast says he had a "great time" with Ranbir Kapoor, Sai Pallavi and Ramayana team!

MrBeast says he had a "great time" with Ranbir Kapoor, Sai Pallavi and Ramayana team!

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Namit Malhotra’s Ramayana, directed by Nitesh Tiwari, is among the most highly anticipated films of the year. With anticipation around the epic continuing to soar with every new reveal, the makers recently released the trailer and posters of the film, leaving everyone even more excited for its arrival. Now, as the cast and crew of the film gathered to meet American YouTuber MrBeast during his visit to India, the popular YouTuber had a great time interacting with them.

Taking to his social media, MrBeast shared a glimpse from the red carpet, where he is seen posing with the film’s cast and crew, including Ranbir Kapoor, Sai Pallavi, Ravie Dubey, producer Namit Malhotra, and director Nitesh Tiwari. While tagging the cast and crew, he captioned the post: "Had a great time at the Ramayana red carpet :D"

Bringing to life one of the greatest tales ever told, Nitesh Tiwari’s Ramayana seeks to translate the epic’s scale, emotion and timeless characters into a cinematic spectacle. Ranbir Kapoor essays Lord Ram, Sai Pallavi plays Sita, Yash takes on the role of Ravana, Sunny Deol portrays Hanuman, while Ravi Dubey plays Lakshman. The film will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam in India.

Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with 8-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: SHOCKING: MrBeast’s Ramayana event leaves media FURIOUS; several journalists WALK OUT after 3½-hour delay


 EXCLUSIVE: Gurmmeet Singh reveals The Good The Bad And The Ugly inspired Mirzapur The Movie’s BIG-SCREEN look; BREAKS silence on CBFC cuts: “They were collaborative, viewed it as a piece of pop culture and acknowledged that Mirzapur has its own legacy”

EXCLUSIVE: Gurmmeet Singh reveals The Good The Bad And The Ugly inspired Mirzapur The Movie’s BIG-SCREEN look; BREAKS silence on CBFC cuts: “They were collaborative, viewed it as a piece of pop culture and acknowledged that Mirzapur has its own legacy”

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Gurmmeet Singh is truly the man of the moment. He directed Mirzapur The Movie, a rare Indian film based on a web series. The experiment worked big time as Mirzapur The Movie crossed the Rs. 200 crore mark and continues to run in cinemas. In an exclusive interview with Bollywood Hungama, Gurmmeet Singh spoke about the success of the film and a lot more.

Mirzapur The Movie has stunned everyone with collections crossing the Rs. 200 crore mark. Before release, what was your prediction about the film’s lifetime numbers? The good thing is that we didn’t focus on the box office numbers at all. Also, since the time we announced the film, we have been constantly working on it at breakneck speed. Our entire focus was to get the film ready in time, so that it could release it on the scheduled date. As a result, we never got the time or chance to discuss the box office or what should be the ideal collection of the film. Moreover, we also got educated as we moved along while making the film. We were told by experts, ‘Yeh number accha hai’, ‘tracking acchi ho rahi hai’. Slowly, we started learning about it.

Jitendra Kumar has done an exceptional job as Babloo. However, it was Vikrant Massey who played the part in the web series. Was there an apprehension about whether the audience would accept Jitendra in the role? Most of the credit for it goes to Jeetu. We have been fans of his work and knew that he would make for a great Babloo. Ideally, we should have made him feel comfortable in this world. Instead, he made us comfortable. He told us, ‘You guys know what needs to be done. Aap meri chinta mat karo. Aap karte chalo. Main ghul mil jaunga’!”

He’s probably the bravest person in this film. After all, he was the only one who had to essay a role which was earlier played by somebody else. Kudos to him for the ease with which he did it. He brought his own individuality to the role and collaborated with us beautifully. We couldn’t have been happier.

Have you spoken to Vikrant Massey after the release? Has he seen the film? No, I haven’t had the chance to speak to him.

Mirzapur The Movie looks quite cinematic, especially the Rajasthan portions and the car chase sequence. Was that a conscious decision to ensure that audiences saw it as a big-screen film rather than an extension of the web series? 100%. It was a challenge as we had set a pattern in storytelling in the 3 seasons. Hence, from the writing stage, we were clear that it needed to have a film-like narrative structure. Accordingly, we decided to approach it as a big-screen venture. We wanted the audience to experience the world and not just get immersed into it. The efforts of the makers and every unit and cast member was in that direction.

The visual storytelling had to be leaps and bounds above what we had done until now. Hence, at Puneet Krishna’s suggestion, we brought Rajasthan into the picture. We went to Jaisalmer and its Sand Dunes, so that we get a distinct visual texture. Since season 1, people drew parallels with Western films or shows. This time, we decided to go into the world of Spaghetti Westerns like The Good The Bad And The Ugly (1966). Hence, we shot with extreme wide lenses. A lot of ambience and atmosphere was used within the film. For example, we set the action sequence at the beginning in the spice factory. So, we could see the colours of spices flying. We also made a lot of use of water and fire. Our set pieces were bigger. Our action was a lot more explosive. We came up with things that audiences would enjoy. Mirzapur The Movie was like an adventure rather than the gritty storytelling that you’d see in the show.

Also, it was great that you didn’t divide the film into chapters… Absolutely. Chapter aur episode wala zone toh hamare show mein chalta hi rehta hai. Hence, we took a call that it needs to be as fluid as possible with the film. We wanted to enjoy it like a hardcore old-school film.

The CBFC (Central Board of Film Certification) cut 35 seconds of intimate scenes, muted cuss words in 4 places and replaced abuses in 6 places in Mirzapur The Movie. How did you react to these cuts? We knew that we would have to cross this hurdle at some point. We were also cognizant of the fact that personal viewing is very different from community viewing. From the very beginning, we realized that the characters and the fun associated with them were the biggest draw. We knew that on the big screen, some other aspects might have to take a backseat.

Before the film’s release, we were a little apprehensive about how audiences would react to the cuts. Thankfully, they responded very well. They enjoyed the camaraderie, dialogubaazi, adventure and action, all within a more hyper-real space. They felt that the language and every other aspect remained organic. Hence, I don’t feel that the guidelines hampered our storytelling.

Also, the CBFC viewed Mirzapur as a piece of pop culture. They acknowledged that Mirzapur has its own legacy, deals with adult and mature themes, and that audiences know what to expect from it. They were supportive and were clear that the filmmaker’s vision should not be hampered. On our part, we also understood the guidelines.

Ours is a vast country and, despite an ‘A’ rating, there are times when under-18-year-olds enter cinema halls. It’s difficult to completely control that aspect. Hence, we understood the CBFC’s point of view. They were collaborative, and we were able to find a middle path where they felt the film stayed within the boundaries of what they considered appropriate, while we felt that the fun and the world of Mirzapur remained intact.

Thankfully, the audience also responded well. So, I guess we managed to achieve that balance.

What’s happening next with Mirzapur? With every season and now with the film, the world of Mirzapur has expanded. In other words, the number of stakeholders has also expanded. We are still in the release month and we are waiting for the hype to calm down. Everybody in the team is enjoying the hard work that they have put in. Very soon, we all will collectively sit down in a room. The plans are already in place. Everyone wants to come together and decide which direction we want to move in.

At this point, I can commit that Mirzapur is definitely coming back. Kaunse shape ya form mein hoga, we’ll let you all know soon!

Tell us about your production house, Cheetah On The Moon… My partner, Vishal Bajaj, and I started Cheetah On The Moon a couple of years ago. Vishal has worked on more than 20 shows and films and brings with him vast experience. Our journey together goes back to 2006. We have been friends and have worked together since then.

As a director, there are only a limited number of titles you can work on in one lifetime. We want to tell more stories. That’s why we started Cheetah On The Moon, so that we could collaborate with the right people and other producers and create films and shows that build worlds like Mirzapur.

We also want to create IPs that can travel across different sections of society, from the deepest heartlands to South Mumbai. We’ve been working towards that for the past couple of years, and you’ll now start seeing our projects come out.

One of our films is completely ready and should be released this year. We have two shows on floors, and we also have one film that we’ll be shooting soon.

Also Read: Mirzapur: The Movie makers are aiming for an ‘A’ certificate, reveals director Gurmmeet Singh


 Kubbra Sait calls out safety rules imposed on women after Delhi park rape case: "How much more careful are we supposed to be?"

Kubbra Sait calls out safety rules imposed on women after Delhi park rape case: "How much more careful are we supposed to be?"

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Actor Kubbra Sait has spoken about women’s safety in India in a video shared on social media, questioning why conversations about safety often place responsibility on women rather than addressing the behaviour that makes them unsafe. In the video, Kubbra begins by saying, “Safety is a place called Narnia. Yes, it’s fictional,” before referring to incidents involving girls and women in everyday situations. She points out that age, location, time or circumstance does not necessarily guarantee safety.

The actor then lists some of the precautions women are routinely advised to take. “Cover up. Don’t go out at night. Don’t hang out with boys. Share your location. Carry pepper spray. Be careful. How much more careful are we supposed to be?” she asks. Kubbra then shifts the focus towards what boys and men are taught about consent and boundaries. “When are these instructions reaching the boys?” she asks, before listing the behaviours that need to be addressed. “Don’t stalk her. Don’t follow her. Don’t threaten her. Don’t punish her for rejecting you. Take no for an answer,” she says.

Kubbra Sait questions "Boys-Will-Be-Boys" approach

Using satire, Kubbra also suggests measures such as a “reformation camp, consent camp, ego detox, patriarchy de-addiction centre” for boys, adding, “Because ‘boys will be boys’ — this strategy of parenting is not working.” She further addresses the meaning of feminism, saying, “Feminism is nothing but the simple idea that women are people.”

Kubbra connects the argument to everyday activities that women should be able to undertake without fear, including studying, travelling, meeting friends, buying stationery or simply being in a public space.

 

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The actor’s video ultimately questions the expectation that women should continually alter their behaviour and routines to avoid becoming victims of harassment or violence. Her message instead calls for greater focus on the people responsible for such behaviour and on how boys are taught to understand consent, boundaries and respect.

Kubbra concludes by questioning how much women are expected to change their lives before society also begins asking those who make them unsafe to change their behaviour.

Also Read: Kubbra Sait visits Chennai Snake Park, discusses cruelty towards snakes during Nag Panchami in new vlog


 World Tourism Day 2026: Planning your next holiday? Take cues from Kareena Kapoor, Alia Bhatt and more

World Tourism Day 2026: Planning your next holiday? Take cues from Kareena Kapoor, Alia Bhatt and more

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Planning your next getaway but not sure where to go? Sometimes, the best travel inspiration comes from the places our favourite celebrities choose to escape to. From picturesque European cities and tropical island getaways to breathtaking African landscapes, Bollywood stars have given us plenty of destination envy over the years.

Whether you are looking for a romantic escape, a relaxing beach holiday or an adventure-filled trip, these celebrity-approved destinations deserve a spot on your travel bucket list. This World Tourism Day, take some inspiration from Bollywood’s favourite travel spots and start planning your next holiday. Kareena Kapoor Khan – Greece If crystal-clear waters, sun-soaked islands and laid-back luxury are what you are looking for, Greece should be high on the list. Kareena Kapoor Khan’s holiday moments from Greece have offered plenty of inspiration for anyone dreaming of an idyllic Mediterranean escape.

From the iconic blue-and-white views of Santorini to the beaches and vibrant atmosphere of Mykonos, Greece offers the perfect balance of relaxation and exploration. It is a destination that works just as well for a romantic getaway as it does for a fun-filled holiday with family or friends.

 

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Aamna Sharif – France For those who dream of a holiday filled with timeless architecture, charming streets, beautiful cafés and effortless fashion, France makes for the perfect escape. Aamna Sharif has often embraced the beauty of the country during her travels, making it easy to see why France continues to be a favourite among travellers.

From exploring the streets of Paris and taking in its iconic landmarks to enjoying the slower pace of the French countryside, there is plenty to discover. Add in the food, art and unmistakable European charm, and France has everything you need for a memorable holiday.

 

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Parineeti Chopra – Maldives For travellers who would happily spend their holiday surrounded by turquoise waters and pristine beaches, the Maldives is hard to beat. Parineeti Chopra’s tropical getaways have showcased exactly why the island destination remains one of the most popular choices for a relaxing holiday.

With private villas, beautiful lagoons, water activities and sunsets that look straight out of a postcard, the Maldives is ideal for anyone looking to disconnect from the everyday routine. Whether it is a quiet island retreat or an adventure on the water, the destination offers plenty of ways to unwind.

 

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Alia Bhatt – Africa For those who want their holiday to go beyond sightseeing, Africa offers an experience unlike any other. Alia Bhatt’s travels have brought attention to the continent’s stunning landscapes and immersive experiences, making it an exciting addition to any travel bucket list.

From unforgettable wildlife encounters and expansive safaris to dramatic landscapes and unique local experiences, Africa is a destination for travellers looking for adventure and something truly different. A safari across the continent can offer a chance to experience nature up close while creating memories that stay with you long after the holiday is over.

 

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Sara Ali Khan – Switzerland Few destinations capture the magic of a classic holiday quite like Switzerland. Sara Ali Khan’s travels have given fans a glimpse of its snow-covered mountains, scenic landscapes and picture-perfect surroundings.

Whether it is exploring charming Swiss towns, taking a scenic train journey through the Alps or simply soaking in the views, Switzerland offers something for every kind of traveller. It is particularly perfect for those who want a holiday that feels straight out of a postcard, with breathtaking scenery at almost every turn.

 

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Also Read: World Tourism Day Special: Let Ananya Panday, Mrunal Thakur and more celebs inspire your next dream vacation


 Hanuman Ansh producer Anupriya Nagar reveals she wanted to return to Zurich after film was declared flop: “I thought this industry was not meant for me”

Hanuman Ansh producer Anupriya Nagar reveals she wanted to return to Zurich after film was declared flop: “I thought this industry was not meant for me”

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Producer Anupriya Nagar, who is just 21 years old, has opened up about the initial struggles faced by Hanuman Ansh after its release. In an interview with Siddharth Kanan, Anupriya recalled how the film’s declining screen count and lack of support left her questioning whether she wanted to continue in the film industry.

Speaking about the film’s early box office performance, Anupriya said, “It was disheartening to see that the film was not doing well at the box office. I wasn’t disheartened because we weren’t making money. I was disheartened because people weren’t watching the film. I couldn’t understand whether devotees were not going to watch it or whether they were going and not enjoying it. We simply didn’t understand what was happening. That was one of the most difficult times,”

She revealed that she decided to personally step in and create awareness around the film. “I thought, I am one of the producers of this film, and I have invested my hard-earned money in this project so that people watch it and know about Maharaj Ji. I couldn’t just sit with my hands folded,”

Anupriya travelled to Delhi, met leaders and devotees and also turned to podcasts and interviews to generate word of mouth. “I went to Delhi and thought I would meet whoever I could. I met top leaders, I met a lot of his devotees and tried to get them to post something from their handles, so that there could be some word of mouth. I wanted some kind of movement to happen. I thought, let me do podcasts. Honestly, at that time nobody knew me. Nobody knew that Hanuman Ansh was coming or that it was about Maharaj Ji. I also want to thank those podcasters and interviewers who gave me the opportunity to speak through their channels at that time,”

The situation became even more difficult when the makers were informed that the film’s screen count had fallen sharply. “We got a call on the eighth day saying, ‘Your film has gone from 300 screens to 30 screens. Maybe tomorrow your film will be out because two more films are coming.’ We were told that perhaps only a miracle could save the film and that it might be out of theatres the next day,”

Recalling the uncertainty within the team, she added, “There were people in the team who were thinking that everything was over and that perhaps we should get a good OTT deal so that we could recover the money. That was the most difficult time we saw,”

Anupriya admitted that the experience even made her consider leaving the industry. “When the film was declared a flop, I thought maybe I would pack my bags and go back to Zurich. I thought this industry was not meant for me. I had reached that stage where I was thinking I would leave the industry and go back,”

She also recalled how difficult it had been to find investment for the film during its initial stages. “Since the beginning, even before I came on board, the Hanuman Ansh team had gone to many people for investment for post-production, but nobody agreed to invest, even though it wasn’t a very big investment.”

According to Anupriya, the film was initially viewed as a small-budget project without established names. “Before the release, there were a handful of people who supported us, but many people didn’t believe in the project. They thought it was a small-budget film, the director was making his first film, and the actors were also new. They thought the film would come and go. People didn’t have that belief.”

However, she says the perception around the film has since changed. “I am so glad the industry’s thought process has now changed. Everyone in the industry is supporting us,” she said.

She further revealed that several producers have since reached out to congratulate the team and acknowledge their initial doubts. “Lots of producers have reached out and it is very sweet. They have congratulated us. Some of them have actually come to me and said, ‘First of all, I apologise because this film had come to us. We are sorry we couldn’t join you. That was the biggest mistake I made.’”

“They said, ‘You have made us realise that a small film can do so much. You have given a lesson to the industry.’ They told us, ‘Whatever you want, we are with you.’ It is very sweet. I don’t blame them because it was a very small film,” she added.

Hanuman Ansh is a biographical drama directed by Vishal Chaturvedi and based on the life and teachings of Neem Karoli Baba. The film stars Shobhinaw Satyaa, Vihaan Shedge, Chandan Anand, Purnima Tiwari, Anil Rastogi and Gulshan Pandey in key roles. Hanuman Ansh released in cinemas on August 7, 2026

Also Read: Hanuman Ansh Box Office: Film collects Rs. 3.43 cr on Day 48, takes total closer to Rs. 280 cr