Did Sanjay Gupta confirm “deadlier” Kaabil 2 in now-deleted X comment? Here’s what we know!

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Speculation around a sequel to Hrithik Roshan’s 2017 film Kaabil gained momentum after filmmaker Sanjay Gupta responded to a fan on social media with a message that appeared to hint at Kaabil 2. However, the tweet has since been deleted, and Gupta has not commented on the incident or issued any clarification so far.

The conversation began when a fan praised Kaabil as one of the strongest revenge thrillers in recent Hindi cinema and asked when a sequel would be made. Responding to the post on X (formerly Twitter), Gupta wrote, “IT’S R E A D Y!!! And this time far DEADELLIER!!!!” The reply quickly caught the attention of fans and was widely shared through screenshots across social media platforms.

Soon after the exchange went viral, the tweet disappeared from Gupta’s account. As of now, the filmmaker has neither addressed the deletion nor confirmed whether the sequel is officially in development. No statement has been released by the film’s production team either.

Released in 2017, Kaabil starred Hrithik Roshan and Yami Gautam and was directed by Sanjay Gupta. The film followed the story of a visually impaired man seeking justice after a personal tragedy and went on to perform well at the box office, later gaining a strong following among viewers. Over the years, audiences have frequently expressed interest in a continuation of the story.

Also Read: Sanjay Gupta SLAMS modern film marketing gimmicks; calls promotional music videos “thing of the past”

Tiger Shroff and Conor McGregor to shape BKFC’s India expansion as Bare-Knuckle League launches

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Bare Knuckle Fighting Championship (BKFC) and Bare Knuckle Fight League (BKFL) officially announce their historic entry into India, unlocking one of the world’s largest and most passionate combat sports markets.

This landmark expansion is being led by World League of Fighters (WLF) — the official license holder for BKFC — co-founded by Rajesh Banga, Sunil Mathew, and Siraj Gill, who together with David Feldman and Conor McGregor have invited Mr. Parag Sanghvi, prominent film producer, and Tiger Shroff, superstar in Indian cinema and martial artist, to join the board and help shape BKFC’s growth into a global phenomenon with India at its core. BKFC is already the fastest-growing combat sports organization in the world.

World League of Fighters (WLF) enters India with formidable global credentials, having successfully delivered the biggest and most electrifying BKFC event in the Middle East last year — a sold-out spectacle in Dubai that sent fans into a frenzy and set new benchmarks for live combat entertainment in the region.

For the first time in combat sports history, India will host a team-based bare-knuckle league format, transforming fights into a high-stakes global franchise competition — making the sport faster, fiercer, and more thrilling for fans worldwide.

The inaugural teams included Crushers, Punishers, Warriors, Phantoms, Gladiators, and Infernos.

To further strengthen the platform’s leadership, Mr. Rahul Saxena has been appointed Chief Executive Officer (CEO). He is widely recognized for building and scaling multiple billion-dollar global brands, bringing unmatched commercial and operational expertise to the organization. India — home to over 1.4 billion people, a deep-rooted martial tradition, and rapidly expanding sports viewership — now becomes a cornerstone of the global growth strategy for BKFC, BKFL, and WLF.

Rajesh Banga, Sunil Mathew, and Siraj Gill stated: “India is not just a market — it is the future of global combat sports. Together with BKFC, BKFL, and WLF, we are building an ecosystem that will develop Indian fighters, create global stars, and deliver world-class fight entertainment to millions of fans.”

Mr. Parag Sanghvi, Board Member, added: “This is where world-class storytelling meets raw, uncompromising sport. With WLF, BKFC, and Conor McGregor, we are not just launching a league — we are architecting a global sports IP from India that will command attention, talent, and fandom worldwide.”

David Feldman, Founder & President of BKFC, said: “India has been on our roadmap for a long time. The scale, the energy, the culture — there is no place like it. With the leadership team we have assembled and our partnership with WLF, we are bringing the purest form of combat sports to a nation ready for it.”

Conor McGregor, Global Partner, BKFC, said: “India has warriors in its DNA. What we’re building with BKFC and BKFL in India will be something the world has never seen before. This is not just expansion — this is a revolution.”

Tiger Shroff, Superstar of Indian Cinema and Martial Artist, said: “Honoured to stand alongside Conor McGregor as we create something truly historic for Indian sport. This is more than a fight — it’s a global movement, and history is being written. Just like cinema, sport is a celebration of talent and skill, and Parag (Sanghvi) and I are committed to turning this into a landmark moment for India.”

The first official BKFC & BKFL team-based events are scheduled for 2026, with venue and fight card announcements coming soon.

This is not just a launch. This is the birth of India’s combat sports era.

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EXCLUSIVE: CBFC censors ‘Kantara scream’ in Rahu Ketu; replaces middle finger with pinky finger

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The comic caper Rahu Ketu, starring Pulkit Samrat, Varun Sharma, Shalini Pandey, Piyush Mishra, Chunky Panday, Amit Sial, Manu Rishi Chadha and Sumit Gulati, is all set to release on Friday, January 16. Earlier in the week, the makers completed the censor process on time. In this article, Bollywood Hungama will exclusively focus on the cut list.

The Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate. However, they asked the makers for a few changes. In a scene, a dialogue was replaced. The drug sniffing and snorting visuals were asked to be replaced with appropriate shots wherever they occurred in the film. The middle finger was asked to be modified to the pinky finger whenever shown in the movie. All alcohol brand names were asked to be removed.

That's not all. The makers were asked to submit an authentication letter for the Sanskrit Shloka used in the film. Lastly, the Examining Committee asked the makers to replace 'Kantara film music (voom) scream'.

Once these changes were made, the makers of Rahu Ketu were handed over the censor certificate on Monday, January 12. The length of the film, as mentioned on the certificate, is 139.40 minutes. In other words, Rahu Ketu is 2 hours, 19 minutes and 40 seconds long.

Rahu Ketu is backed by Zee Studios and B-Live Productions Pvt Ltd and produced by Umesh Kumar Bansal, Suraj Singh and Varsha Kukreja. It marks the return of Pulkit Samrat and Varun Sharma after their successful association in the Fukrey series. Interestingly, Vipul Vig, who was the writer of Fukrey (2013), Fukrey Returns (2017) and Fukrey 3 (2023), makes his directorial debut with Rahu Ketu.

Pulkit Samrat, Varun Sharma, Chunky Panday and Shalini Pandey promoted Rahu Ketu at the Bollywood Hungama OTT India Fest and India Entertainment Awards 2025. Pulkit Samrat said, “Since the time the first part of Fukrey released, Varun and I have been getting lots and lots of offers to do a film together. Aur bahut dukh hota hai kyunki humein bahut paise offer hote hai. When we reject so much money is when we realize that hum acche insaan hai! Hum sirf kaam ki kadar karte hai.”

He continued, “We were always very clear that if we both do a film together other than the Fukrey series, it has to be very interesting and a grade above than Fukrey. That is where Rahu Ketu comes in. It's a very exciting and fantastical world with very exciting characters. The way the story unfolds is heartwarming.”

Also Read: Rahu Ketu’s buzz goes beyond audiences, with Amitabh Bachchan, Salman Khan and others showering love

Boman Irani joins Khosla Ka Ghosla 2 shoot in Delhi; quips "Aap party hai ya broker"

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Boman Irani is back as Kishan Khurana — a character that continues to live rent-free in the hearts of audiences. The actor recently shared a picture from the sets of Khosla Ka Ghosla 2 with Anupam Kher and Ranvir Shorey, and one line was enough to trigger instant nostalgia: “Aap Party Hai Ya Broker?” The moment served as a reminder of why the film remains a cult favourite even today.

Stepping back into Kishan Khurana’s shoes, Boman reunites with Anupam Kher’s Kamal Khosla and Ranvir Shorey’s Bunty, recreating the magic of a trio that audiences have cherished for years. Kishan’s sharp humour, confidence, and everyday cleverness were among the most memorable aspects of the original film, making Boman’s return particularly special.

 

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The on-set reunion has sparked excitement among fans and film lovers alike, with expectations high for the sequel to retain the heart, humour, and relatability that defined Khosla Ka Ghosla. With Boman Irani reprising an iconic role, Khosla Ka Ghosla 2 promises a nostalgic yet fresh outing — rooted in warmth, wit, and familiar charm.

Also Read: Is Ravi Kishan replacing Boman Irani in Khosla Ka Ghosla 2? Here’s the TRUTH!

Bombay High Court rules in favour of IMAX in decades-long dispute with E-City; clears execution of $28+ million awards; imposes Rs. 5 lakh costs

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IMAX Corporation has achieved victory in the Bombay High Court in a decades-long contract dispute with E-City Entertainment, for awards now amounting to more than $28 million USD with accumulated interest.

On December 30, 2025, the Bombay High Court ruled in IMAX’s favour on all issues in an enforcement proceeding that IMAX has been prosecuting for nearly 18 years, holding that arbitration awards issued in IMAX’s favour between 2006 and 2008 “shall now be deemed to be the decrees of the court and executable”.

The arbitration stemmed from a disagreement over a September 2000 contract to lease six IMAX systems to E-City, the former operator of cinema and entertainment brands Fun Cinemas and Fun Republic, and an affiliate of the Essel Group, headed by Subhash Chandra, and Zee Entertainment Enterprises Ltd. E-City agreed to open a minimum of six IMAX locations in India, but subsequently reneged on that agreement.

In its ruling, the High Court wrote, “E-City has managed to keep IMAX at bay for over two decades. The fruits of the foreign awards are being denied to IMAX by raising all kinds of pleas, in the fond hope that at least some might stick. Neither the public policy of India nor the pro-enforcement bias, which informs the interpretation of the provisions under Part II of the [Arbitration and Conciliation Act, 1996] dealing with the enforcement of specific foreign awards, promotes the frustration of enforcement of foreign awards based upon such pleas.”

The Court also imposed a cost of Rs. 5 lakhs on E-City, payable within four weeks to IMAX, citing the prolonged and speculative litigation approach.

The court also directed the parties to appear before the executing court on January 19, 2026, at 11:00 am so the execution process can move forward.

For IMAX, the order is a clear signal that long-pending foreign arbitration awards will not be allowed to remain only on paper, and that accountability, even after decades, can still be enforced through the courts.

Rajkumar Hirani-Aamir Khan’s Dadasaheb Phalke biopic to go on floors in March 2026 after script revisions: Report

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Aamir Khan and filmmaker Rajkumar Hirani’s much-anticipated Dadasaheb Phalke biopic has seen a shift in its production timeline. While the project was earlier expected to go on floors in January 2026, the makers are now planning to begin filming in late March 2026.

In September 2025, Mid-Day had reported that the film was gearing up to roll early next year, with Khan reportedly moved to tears while revisiting key moments from Phalke’s life. However, plans have since changed as the actor-director duo have decided to further refine the screenplay before taking the film on set.

According to industry insiders, a fresh draft of the script is currently being developed, one that aligns with both Hirani and Khan’s creative vision while doing justice to the journey of Dhundiraj Govind Phalke, widely regarded as the Father of Indian cinema. The intent, sources say, is to ensure that the narrative resonates with contemporary audiences without compromising on historical authenticity.

A source told Mid-Day, “Hirani and Aamir agree that the film must feel emotionally contemporary while staying rooted in history. The rewrite is to fine-tune the balance of humour and sincerity. They want to ensure that the character arc captures Phalke’s stature. The draft will likely be finalised by February, and production will begin in late March.”

The development comes months after Aamir Khan and Rajkumar Hirani announced their reunion for the third time, following landmark collaborations such as 3 Idiots and PK. The announcement had sparked widespread anticipation across the industry. However, reports soon emerged suggesting that the project had been temporarily put on hold due to creative concerns.

Earlier, reliable sources had told Bollywood Hungama that both Khan and Hirani were dissatisfied with earlier drafts of the script. “Aamir Khan and Rajkumar Hirani stand for perfection, and they were not happy with the script of Dadasaheb Phalke Biopic. Aamir felt that the script is too dry for the audience in today’s world, and doesn’t have the humour that one expects from their collaboration,” the source had stated.

The source further added, “After repeated sessions of rewrite, the duo have collectively decided to put the project on hold. They believe that a personality as iconic as Dadasaheb Phalke deserves a script that is both emotionally stirring and universally engaging. Until they arrive at that benchmark, they are in no hurry to rush the film into production.”

Meanwhile, Aamir Khan is said to be evaluating his future projects carefully. The actor is reportedly reading multiple scripts and is expected to announce his next film in the first quarter of 2026. “He is in the process of reading at least 20 scripts at the moment and will pick one of the shortlisted projects,” a source revealed.

Currently, Aamir is busy with promotions of his next film, Happy Patel: Khatarnak Jasoos, which is directed by Vir Das, and is slated to release on January 16, 2026.

Also Read: Sunil Grover joins Aamir Khan and Vir Das in Happy Patel promotion video; throws out Mr Perfectionist from his own office, watch!

Saif Ali Khan wins legal battle as Bhopal Court dismisses claim against actor’s 16.62-acre Nayapura land: Reports

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Bollywood actor Saif Ali Khan and his family have secured a major legal victory after a Bhopal court upheld their ownership of a 16.62-acre parcel of land in the city’s Nayapura area, dismissing a long-running dispute challenging their claim. The judgment brings a favourable outcome to what has been a protracted legal battle over property historically linked to the family of the former ruling elite of Bhopal.

Reportedly, the civil suit challenged the ownership rights of the land, with petitioners claiming entitlement based on historical transactions. However, the local court found that the challengers had not provided sufficient evidence to substantiate their claims and ruled in favour of Saif Ali Khan, his mother Sharmila Tagore, sister Soha Ali Khan, and other legal heirs of the Pataudi family. As a result, the court dismissed the suit and reaffirmed the family’s legal ownership of the valuable property.

The Nayapura land, which has been under dispute for years, holds significance for the Pataudi family not only because of its value but also due to its historical association with the family’s legacy. Legal experts noted that the petitioners failed to establish their assertions with credible documentation or legally binding proof, leading the court to reject the challenge.

This verdict represents a notable relief for Saif Ali Khan and his family, who had been embroiled in legal wrangling over the property for more than two decades. The dismissal of the rival suit ensures that the land remains under the family’s control and resolves ongoing uncertainty over its rightful ownership.

Also Read: Saif Ali Khan reveals he bought rights to Nilanjana Roy’s Black River for film adaptation; calls it “emotional piece”