“My respectful salute to our brave security personnel”: Shah Rukh Khan shares message of courage as he honours 26/11 and Pahalgam heroes

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Shah Rukh Khan attended the Global Peace Honours 2025 on Saturday at the Gateway in Mumbai, where he paid tribute to the victims of major terror attacks and acknowledged the courage of India’s security forces. The event, organised by the Divyaj Foundation and led by Amruta Fadnavis, brought together survivors, families of victims, national leaders, dignitaries and members of the film industry for a collective remembrance.

During his address, Shah Rukh remembered those who lost their lives in the 26/11 Mumbai attacks, the Pahalgam terror incident and the recent blasts in Delhi. He also offered his respect to the personnel who were martyred in these tragedies.

Sharing a specially written set of lines dedicated to the armed forces, he said: “My humble tribute to the innocent people who lost their lives in the 26/11 terrorist attack, the Pahalgam terrorist attack, and the recent Delhi blasts, and my respectful salute to our brave security personnel who were martyred in these attacks. Today, I have been asked to recite these four beautiful lines for the brave soldiers and jawans of the country… When someone asks you what you do, say with pride that I protect the country.”

He further added, “If someone asks you how much you earn, smile slightly and say, I earn the blessings of 1.4 billion people. And if they turn around and ask you again, ‘Aren’t you ever afraid?’ Look them in the eye and say, ‘Those who attack us feel it’… Let us all take steps towards peace together. Let us forget the caste, creed, and discrimination around us and walk the path of humanity, so that the martyrdom of our heroes for the peace of our country is not in vain.”

#WATCH | Mumbai | At the Global Peace Honours 2025, Superstar Shah Rukh Khan says, "My humble tribute to the innocent people who lost their lives in the 26/11 terrorist attack, the Pahalgam terrorist attack, and the recent Delhi blasts and my respectful salute to our brave… pic.twitter.com/XQtJp0pm1I — ANI (@ANI) November 22, 2025

The Global Peace Honours saw the presence of several notable attendees, including Nita Ambani, Maharashtra Chief Minister Devendra Fadnavis, Amruta Fadnavis, Tiger Shroff, Manisha Koirala, Vikrant Massey, Akanksha Malhotra, Archana Kochhar, Kripashankar Singh and others.

Also Read: Shah Rukh Khan, Salman Khan come together to attend the VIP opening of the Natural History Museum in Abu Dhabi

From Kiara Advani to Akansha Ranjan Kapoor: Actresses who are acing the mermaid gown trend

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There’s something undeniably timeless about the mermaid gown — a silhouette that hugs the body till the knees and then flares out dramatically, much like a mermaid’s tail. Elegant, sensual, and perfectly sculpted, this style has long been a red-carpet favourite across the globe, and now Bollywood’s leading ladies are giving it their own spin.

Be it structured metallics, pastel drapes, or high-shine sequins, these stars are redefining glamour and making the mermaid gown the statement look of the season.

Akansha Ranjan Kapoor

 

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Akansha Ranjan Kapoor is quickly carving her niche as one of the industry’s most effortlessly stylish stars. Recently seen in a pastel-hued mermaid gown that perfectly combined structure and softness, Akansha looked ethereal. The gown’s subtle train and sculpted bodice highlighted her frame without overpowering her natural elegance. With sleek hair, muted tones, and minimal accessories, she proved that quiet sophistication can often make the loudest impact.

Kiara Advani

 

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Kiara Advani is synonymous with red carpet perfection, and her love for the mermaid gown silhouette is proof of her refined taste. Whether it’s a corseted number with a dramatic trail or a sequinned creation that sparkles under the spotlight, Kiara knows how to strike the right balance between elegance and allure. Her polished styling, confident posture, and radiant charm make her one of Bollywood’s most consistent fashion icons.

Janhvi Kapoor

 

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When it comes to embracing figure-hugging glamour, Janhvi Kapoor rarely misses the mark. Her affinity for mermaid gowns — often in dazzling metallics and rich jewel tones — reflects her flair for dramatic yet feminine looks. With soft waves, luminous makeup, and that signature confidence, Janhvi channels the perfect mix of classic beauty and contemporary style.

Sharvari

 

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Sharvari’s rise as a fashion favorite has been nothing short of impressive. Her choice of a structured, jewel-toned mermaid gown recently showcased her evolving sartorial sensibility. The sculpted fit, clean lines, and subtle drama of the flare perfectly captured her balance of grace and modernity. Sharvari’s fashion journey continues to be about thoughtful choices that command attention without trying too hard.

Ananya Panday

 

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Ananya Panday brings a playful twist to the mermaid silhouette. From soft pastel tones to intricately embellished fits, her interpretations of the trend feel young, breezy, and full of personality. Often pairing her gowns with minimal jewelry and fresh makeup, Ananya effortlessly proves that the mermaid style can be equal parts fun and fabulous.

Also Read: Amar Kaushik clarifies rumours about Aneet Padda replacing Kiara Advani in Maddock’s next horror comedy Shakti Shalini

EXCLUSIVE: Shanaya Kapoor’s acting coach Rachit Singh believes the audience will get “blown away” by her in her upcoming films: “Like how Saiyaara happened to Aneet Padda”

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Rachit Singh was recently seen as a Betaal in Aditya Sarpotdar’s Thamma. The film was a part of the Maddock Horror Comedy Universe. But much before making his film debut in the movie, Rachit has been working as an acting coach, who has trained quite a few actors. One of them is Shanaya Kapoor, who made her acting debut earlier this year in Santosh Singh’s Aankhon Ki Gustaakhiyan, in which she was cast opposite Vikrant Massey.

In an exclusive chat with Bollywood Hungama, Rachit said that the world will see Shanaya’s true talent in her upcoming projects. “You will now watch Shanaya’s actual potential,” he said. “Till now, we have only seen her in her first film. She is doing quite a few films in which she is playing different types of characters. She is a very hardworking girl.”

Rachit has also trained Aneet Padda, who hit a jackpot earlier this year with Mohit Suri’s Saiyaara. He gave her example for Shanaya saying, “Like how Saiyaara happened to Aneet. Of course, Aneet is very good but it’s also a good script and a good director, who can take that performance out of you. I think with Shanaya also (this can happen). She is doing so many different types of roles. She is working with so many directors.”

Rachit added, “I think once her films will start coming out, you will see her potential. Just fingers crossed for her because I know how hardworking and dedicated she is as an actor. I have been working with her from her first film. So, I have seen her journey and growth as an actor. I am just waiting for her films to come out and you guys to watch it and get blown away by it.”

As far as Rachit’s acting career is concerned, he will be seen next in Baby Do Die Do, which stars Huma Qureshi in the lead. The film is also produced by her and her brother Saqib Saleem under their banner Saleem Siblings.

Also Read: EXCLUSIVE: Aneet Padda’s acting coach Rachit Singh when he first met her, “Whatever you ask her to do, she will listen, surrender and just do it”

Ninad Kamat reveals he lost a “big film” role after a four-round audition, says social media and lobbying have killed the art: “Very different ball game today”

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Veteran actor and voice artist Ninad Kamat, known for his extensive work across films, advertising, and dubbing, opened up about the emotional toll of constant auditions and rejections—even after spending over three decades in the entertainment industry. In a conversation with Digital Commentary, he revealed that the struggle for roles persists even with experience.

Sharing a recent incident, Kamat said he had auditioned just a week ago for a major film. Despite being called four times for the same character, he was eventually told he did not cut.

“Even after 31 years, you still have to audition,” he said. “Just a week ago, I gave an audition. And then came a heartbreaking rejection. It was a very big film—I can’t name it. I auditioned four times for one of the three main characters, travelling from Mahim to Andheri Versova each time. Three days ago, I was told, ‘Sorry, sir.’”

Kamat added that he had worked extensively on fine-tuning the character. “I picked a slight North Indian accent, worked on the humour the role required… all of that I kept practising at home. When they tell you three days before that it’s not happening—especially for a main character—it really hurts.”

Talking about the changing dynamics of casting, the actor said the landscape has shifted dramatically. “It’s a very different ball game today. Whether it’s social media, lobbying, or marketing… an actor’s follower count has started deciding things. I feel that’s what has killed the art.”

Kamat’s comments come at a time when several senior actors have been speaking up about how the audition culture often disregards years of experience.

Just a few months ago, veteran Marathi and television actor Usha Nadkarni recalled turning down an audition for Zoya Akhtar’s Gully Boy. She revealed that she was offended when a young assistant director asked her to test for a role without having checked her decades-long body of work.

Nadkarni had said in an interview with Pinkvilla that she refused the offer immediately: “I asked him how old he is—he said 25. I told him I’ve been working longer than his mother has been alive. I don’t do such pointless auditions. When he told me who the director is, I said, ‘She’s the daughter of a big man, isn’t she? Ask her to look up my name on the computer, then she’ll know the work I’ve done.’”

Also Read: EXCLUSIVE: Pranutan Behl reveals that she auditioned for Rajshri’s Dono; fondly recalls interacting with Rani Mukerji on Kahin Pyaar Na Ho Jaaye sets: “When I reminded her, she caught my cheeks in her typical loving way and gave me a small kiss”

EXCLUSIVE: CBFC changes Rose-mary Marlow to Rose-mary Carlow in Mastiii 4; asks for THIS modification in the Aftab Shivdasani-old man sex joke

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The sex comedy Mastiii 4 hit cinemas today and has already grabbed eyeballs thanks to its popular franchise and naughty trailer. Even before its release, there was apprehension that the Central Board of Film Certification would insist on multiple cuts. Bollywood Hungama had exclusively revealed two days ago that the board had asked for six dialogues to be altered. We can now share the detailed breakdown of some of these changes.

A source told Bollywood Hungama, “One of the lines from the trailer that drew both laughs and criticism was the exchange between Aftab Shivdasani and an elderly patient. The old man tells Aftab, ‘Mujhe jawan ladki ke saath sex karna hai’. When a worried Aftab warns, ‘Lekin aisa karne se maut ho jaayegi’, the patient quips, ‘Marti hai toh mar jaaye saali’. In the theatrical version, this entire bit has been toned down. In the film, the patient now says, ‘Mujhe jawan ladki ke saath masti karni hai’. Aftab still cautions, ‘Lekin aisa karne se maut ho jaayegi’, to which the patient replies, ‘Main marne ke liye tayyar hoon’.”

The source continued, “That is not all. The three women with whom the trio have an affair in Grand Masti (2013) are named Rose, Mary and Marlow. Read together, their names form a cheeky double meaning in Hindi. In Mastiii 4, a glamorous character is introduced as Rose-mary Marlow. Her name has now been changed to Rose-mary Carlow. It is surprising that the censors had no issue with the gag in the second film, released 12 years ago, but have objected to it this time.”

Directed by Milap Zaveri, Mastiii 4 stars Riteish Deshmukh, Vivek Oberoi and Aftab Shivdasani, who have always featured in the previous parts of the franchise as well – Masti (2004), Grand Masti and Great Grand Masti (2016). This time, they are joined by Ruhii Singh, Shreya Sharma, Elnaaz Norouzi, Natalia Janoszek, Shaad Randhawa and Nishant Singh Malkani, along with Arshad Warsi, Tusshar Kapoor and Nargis Fakhri.

Also Read: EXCLUSIVE: Milap Zaveri talks about Mastiii 4: “Riteish Deshmukh, Vivek Oberoi, Aftab Shivdasani are Amar, Akbar, Anthony of comedy!” BREAKS silence on CBFC cuts: “Film has got very few cuts; Kudos to Censor Board…”

Vivek Oberoi reveals he received death threats while shooting Kurbaan: “We know you are here, khatam kar denge”

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Vivek Oberoi has revisited one of the most unsettling incidents of his career — the time he received death threats while filming the Saif Ali Khan and Kareena Kapoor Khan-starrer Kurbaan. In a recent interview with Pinkvilla, the actor shared that he was caught off guard by a threatening message left on the answering machine during the film’s shoot in the United States.

Recalling the moment, Vivek said, “I was shooting for Kurbaan in the US and they left a threat on the (answering machine) system and as per law, I had to report it to the authorities there.”

He revealed that authorities questioned him immediately, but he had no context for the menacing message. “I told them, ‘I don’t know anything’. I just landed up in this, where they were saying, ‘We know you are here, khatam kar denge, uda denge (we will finish you, we will shoot you).’ They were saying such things. And they traced that number back to Pakistan. And they said it’s a real number which has been flagged, that’s when I got scared,” he added.

Released in 2009, Kurbaan was set against the backdrop of global terrorism, unfolding across New York and Delhi. The thriller followed Avantika Ahuja, a psychology professor whose life spirals after she unknowingly marries a member of a terrorist sleeper cell. Vivek played a man seeking revenge for the death of his partner Rehana, portrayed by Dia Mirza. His character infiltrates the sleeper cell, becoming a crucial piece of the narrative’s tense and emotionally charged conflict.

While Kurbaan remains one of his more intense films, Vivek is currently in a completely different zone professionally. The actor is gearing up for the release of Mastiii 4, the latest installment in the popular adult comedy franchise. The film reunites him with Riteish Deshmukh and Aftab Shivdasani, while also expanding the cast to include Tusshar Kapoor, Arshad Warsi, Nargis Fakhri, Elnaaz Norouzi, Shreya Sharma, Ruhi Singh, Nishant Malkani, and Shaad Randhawa, among others.

With Mastiii 4 expected to deliver the franchise’s trademark humour and chaos, Vivek’s anecdote about Kurbaan serves as a stark reminder of the unexpected challenges actors sometimes face behind the scenes — moments far removed from the laughter and entertainment they bring to the screen.

Also Read: Vivek Oberoi says even Shah Rukh Khan may be forgotten by 2050: “History relegates you into nothingness”

Web Series Review: THE FAMILY MAN SEASON 3 proves to be a satisfying and engaging new chapter

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Star Cast: Manoj Bajpayee, Priyamani, Jaideep Ahlawat, Nimrat Kaur, Ashlesha Thakur, Vedant Sinha

Director: Raj-DK, Tusshar Seyth, Suman Kumar

Synopsis: THE FAMILY MAN SEASON 3 is the story of a spy facing the biggest challenge of his career. Few years have passed since the events of SEASON 2. Suchitra (Priyamani) has bought a bigger flat where she and her family - husband Srikant Tiwari (Manoj Bajpayee), daughter Dhriti (Ashlesha Thakur) and son Atharv (Vedant Sinha) - have shifted. Suchitra and Srikant are not on talking terms and are contemplating a divorce. Meanwhile, Srikant and his boss, Gautam Kulkarni (Dalip Tahil), leave for Kohima, Nagaland. There have been blasts in 6 cities in the Northeast in 48 hours, threatening Prime Minister Basu's (Seema Biswas) pet project, named Project Sahakar. It involves bringing rebel groups together with the aim of providing peace and stability in the region. The project has been possible, thanks to the highly respected local leader, David Khuzou (Sunil Thapa). Srikant and Kulkarni meet David a day before the deal is to be signed. David's grandson, Stephen Khuzou (Paalin Kabak), who runs a faction called MCA-S, is against the deal and makes it clear to David. On the day the deal is to be signed, the convoy of David, Srikant and Kulkarni is ambushed by a dreaded drug lord, Rukma (Jaideep Ahlawat). Rukma kills David and Kulkarni. He spares Srikant, presumably assuming that he's dead. Srikant survives and is able to identify Rukma. Stephen is assumed to be the one behind the attack and he goes into hiding. In a sudden turn of events, the NIA has a suspicion that Srikant could be behind the attack as well, since he survived and also because very few knew about the route of the convoy. Suchitra, meanwhile, is also facing a tough time, as the government bans 69 Chinese apps, one of which is her app, ShrinkMe. She tries to defend the app on a news channel debate but it backfires. A troll campaign starts against Suchitra and Dhruti is also dragged into it. An arrest warrant is issued against Srikant and he decides to run away with his family. The NIA, TASC and TASC's new chief, Yatish Chawla (Harman Singha) are behind him, but he outsmarts them and leaves Mumbai. What happens next forms the rest of the series.

The Family Man Season 3 Story Review: Raj-DK, Tusshar Seyth and Suman Kumar's story is promising and the obstacles in front of Srikant this time are many notches higher. Raj-DK, Tusshar Seyth, Nikhil Gonsalves, Sudhish Kamath and Suman Kumar's screenplay is captivating and neatly incorporates humour, which is a USP of the show. But as it happens, when the previous seasons have formed a benchmark, the writing feels underwhelming. Sumit Arora's dialogues are hilarious, sharp and one of the best things about the show, without doubt.

Raj-DK, Tusshar Seyth and Suman Kumar's direction is exemplary. The beauty of their execution is that amid the chaos and nail-biting moments, they make sure that viewers also laugh their guts out. This is no easy task, as often, this might not land properly. But every joke or every line, intended to raise laughs, works bang-on. Two scenes which stand out in this regard are when Srikant tells his son that he’s a spy, and the TC enquiring about JK Talpade (Sharib Hashmi), with Srikant cooking up a howlarious story. On the other hand, David and Stephen’s confrontation is significant. The scenes of Rukma and how he strategizes also makes for a nice watch. Meanwhile, the geopolitical angle also has its charm as it's soaked in realism. The makers borrow from real-life happenings like banning of Chinese apps, organized trolling, news channels being used, or rather misused, by vested interests, etc. Lastly, Raj-DK’s shows are known for one-take shots. Here, they tweak the technique a bit in the scene of the attack at Rukma’s farmhouse, and it's praiseworthy.

On the flipside, though the makers try their best, the new season doesn’t match up to Season 1 and 2, especially in terms of humour. The earlier 2 parts had jokes and moments that became meme-worthy and are remembered even today. The humour quotient in Season 3 is there but doesn't go into the cult zone, which will be the demand. The track of Meera (Nimrat Kaur) is unconvincing; a smart and careful person like her blows her cover and this whole bit is unconvincing. The show ends on a chilling cliffhanger but at the same time, several tracks are left abruptly. Lastly, the character of Chellam Sir (Uday Mahesh), who became a sensation after Season 2, gets a raw deal this time.

The Family Man Season 3 Performances: Manoj Bajpayee yet again slips into the ‘Family Man’ character effortlessly. This is his most adorable performance and the way he essays it with perfection adds a lot to the show. Priyamani makes her presence felt and this time, her equation with her hubby is different; it provides a nice touch though questions still remain. Ashlesha Thakur and Vedant Sinha are very impressive and even they get to try something novel in this season. Sharib Hashmi is adorable as always. Jaideep Ahlawat is terrific and his long-hair-look is dashing. Nimrat Kaur is a bit let down by the writing but performance has no complaints. Shreya Dhanwanthary (Zoya) returns in a major role and is damn good. Jugal Hansraj (Dwaraknath), Harman Singha, Jason Tham (Colonel Zhulong) and Andrea Kevichüsa (Nima) are aptly cast. Sunil Thapa and Dalip Tahil leave huge marks despite limited screen time. Seema Biswas, Paalin Kabak, Gul Panag (Saloni), Vipin Sharma (Sambit) and Aritro Rudraneil Banerjee (Punit) are dependable. Vijay Vikram Singh (Ajit) and Aditya Srivastava (Yashwant Kumar) get a limited scope. Riyan Mipi (Bobby) is cute. Uday Mahesh is forced.

The Family Man Season 3 music and other technical aspects: Sachin-Jigar's original title music sets the mood instantly. Ketan Sodha's background score is exhilarating. Jay Charola's cinematography is gritty as well as breathtaking. Parichit Paralkar's production design is superior, while Neha R Bajaj's costumes are straight out of life. Yannick Ben and Aejaz Gulab's action adds to the fun. Sumeet Kotian's editing is slick.

The Family Man Season 3 Review Conclusion: On the whole, THE FAMILY MAN SEASON 3 proves to be a satisfying and engaging new chapter, serving a potent mix of action, drama, tension and situational humour that fans of the franchise expect. The writing stumbles at places and a few tracks feel undercooked. Nevertheless, powered by the insane popularity of the brand and the enduring affection for Srikant Tiwari and his world, this season is poised to attract massive viewership and keep audiences eagerly waiting for what comes next.

Rating – 4 stars